Emmanuelle Haïm is highly acclaimed as a performer and champion of the Baroque repertoire, both as a keyboard player and conductor. This season she will make her debut with the New York Philharmonic and Philadelphia Orchestras. She will also conduct at Zurich Opera for the first time, a new production of Rameau’s Hippolyte et Aricie. Other recent debuts have included the Bayerischer Rundfunk and Leipzig Gewandhaus Orchestras as well as the Wiener Philharmoniker, with performances in Vienna and at the Lucerne Festival. Emmanuelle regularly conducts both the Berliner Philharmoniker and Los Angeles Philharmonic Orchestras
In 2000 Emmanuelle founded Le Concert d’Astrée, which has quickly established an international reputation. During the 2018/19 season their performances include new productions of Handel’s Rodelina at Lille Opera and Rameau’s Les Boréades in Dijon. They will also undertake a major European tour with a Handel programme entitled ‘Desperate Lovers’ with Sandrine Piau and Tim Mead, performances including Paris, Vienna, Geneva and Barcelona.
Emmanuelle has conducted regularly at Glyndebourne Festival Opera, including Theodora (Handel) and L’Incoronazione di Poppea (Monteverdi). She has also performed with Glyndebourne Touring Opera and Chicago Lyric Opera.
With Le Concert d’Astrée, Emmanuelle has a very extensive discography with Erato/Warner Classics, which have won numerous awards. Their most recent releases are DVDs of Mitridate (Mozart) and Il Trionfo del Tempo e del Disinganno (Handel).
Emmanuelle is a Chevalier de l’Ordre National de la Légion d’Honneur, an Officier des Arts et des Lettres, an Officier de l’ordre national du Mérite and an Honorary Member of the Royal Academy of Music.
Video & Audio
From The Green Room
MOZART La Finta Giardiniera
Label: Erato/Warner Classics
Release Date: 22 Oct 15
Carlo Allemano: Don Anchise, Podestà
Erin Morley: Sandrina and Violante
Enea Scala: Comte Belfiore
Marie-Adeline: Henry Arminda
Marie-Claude: Chappuis Ramiro
Maria V. Savastano: Serpetta
Nikolay Borchev: Roberto (Nardo)
David Lescot: Stage Director
Alwyne de Dardel: Set designs
Sylvette Dequest: Costume designs
MONTEVERDI L'incoronazione di Poppea
16 Nov 18 Philadelphia Orchestra Verizon Hall
“The Music for the Royal Fireworks was familiar, of course, and yet it wasn’t. Often taken up by our modern orchestras, the work has acquired a pompous veneer – broad tempos, full-throttle volume in places. Haïm brought subtlety. She bent the end of phrases ever so slightly in places and gave rhythms a snap. It was anything but stodgy.”
11 Jun 18 Leipzig Gewandhausorchester Gewandhaus zu Leipzig
“Die hält den Laden meist mit Blicken und Gesten zusammen, derweil sie die mit einem weiteren Cembalo und Laute prachtvoll besetzte Continuo-Gruppe filigran verstärkt. Hin und wieder springt sie auf, boxt Impulse, zupft Details, piekst Akzente in die Luft, formt so einen federleichten und doch kraftvollen, kultivierten und betörenden Händelklang, dem es an nichts fehlt.”
17 Nov 17 Los Angeles Philharmonic Walt Disney Concert Hall
“She made Purcell, Bach and Pergolesi sound newly born… Haïm’s great contribution to Baroque music is to go beyond the scholarly (boys) school and conduct her way. She is personal. She is physical. She waves her arms and moves her body as if coaxing emotion out of restrained players. She doesn’t so much conduct an orchestra as partner with individuals, one on one. She makes it seem as though she directly addresses each ensemble player as an individual.”
Mark Swed, Los Angeles Times, 17 November 2017
24 Jun 16 Il Trionfo del Tempo e del Disinganno Le Concert d’Astrée Aix-en-Provence Festival
“With Emmanuelle Haïm drawing exuberant playing from her ensemble Le Concert d’Astrée, this was as good as opera gets.”
Zachary Woolfe, The New York Times, 3rd July 2016
02 Oct 15 CAVALLI Xerse Opéra de Lille
“The beautiful idea of bringing back to life, in this year of the tercentenary of the death of Louis XIV, the opera which was performed at the wedding of the Sun King with Maria Theresa of Austria: Xerse, by Cavalli, has not been played since its debut on 22 November 1660 at the Apollo Gallery of the Louvre. In doing so, the Lille Opera (associated with the Centre de Musique Baroque de Versailles, at the Théâtre de Caen Toneelhuis Antwerp) presented this 2 October, one of the most exciting opera productions of this school year … “
Le Monde, 7 October 2015
” … In the pit, Emmanuelle Haïm directs her Concert d’Astree, rich in nuances, and dramatic intelligence. With advocates such as these, Cavalli‘s cause deserves to be heard.”
Les Echos, 8 October 2015
Le Concert d'Astrée
Le Concert d’Astrée, directed by Emmanuelle Haïm, is a vocal and instrumental ensemble dedicated to Baroque music. It is currently among the most prestigious ensembles performing this repertoire in the world. Founded in 2000 by Emmanuelle Haïm, bringing together accomplished instrumentalists who share the same artistic temperament and a natural, expressive musical style, Le Concert d’Astrée has achieved rapid success. It received the 2003 Victoire de la Musique Classique award for best ensemble of the year and in 2008 was named early music ensemble of the year at the Echo Deutscher Musikpreis in Germany.