She made her Metropolitan Opera debut in 2016 as the Madrigal Singer in Puccini’s Manon Lescaut and has since sung at the Glyndebourne Festival (Dryad/Ariadne); Seattle Opera (Ursula/Beatrice et Benedict); Opera Columbus (Carmen) and at the Grand Théâtre de Genève (Cherubino/Nozze di Figaro). This season, Avery will sing Eduige/Rodelinda with Emmanuelle Haïm in her house and role debut at Opera de Lille and for Opera de Lyon, and will return to the Glyndebourne Festival as Goffredo/Rinaldo. On the concert platform, she will sing Bach’s B Minor Mass with the Seattle Symphony, Prokofiev’s Alexander Nevsky with the Colorado Symphony and the New West Symphony, make her debut with the Early Opera Company in Dido and Aeneas at the Het Concertgebouw Amsterdam and make her BBC debut as Ursula in Beatrice and Benedict.
Recent concerts include Vivaldi arias with the Orchestra of St Luke’s in New York; Mozart’s Requiem with the Rhode Island Philharmonic and Bramwell Tovey; Bach’s St John Passion and Duruflé’s Requiem with the Voices of Ascension, New York; Berlioz Les Nuits D’été and Brahms Alto Rhapsody with the American Classical Orchestra, and concerts of Handel and Vivaldi with the Philharmonia Baroque Orchestra and Nicholas McGegan. Exceptional in baroque repertoire, she has worked with William Christie, Helmuth Rilling and Maasaki Suzuki, and at the Bachfest Leipzig and the Boston Early Music Festival.