Bass

Andrea Mastroni

Engagements this season and beyond include Rodelinda with the Opéra de Lille under Emmanuelle Haïm, Agrippina at the Bayerische Staatsoper, and Achille in SciroTurandot and La Calisto at Teatro Real Madrid.

He has recorded a new Handel Serse for Deutsche Grammophon, with Il Pomo d’Oro and Handel arias for bass with the Accademia dell’ Annunciata.

© Nicola Garzetti

Introduction

Italian bass Andrea Mastroni began his musical education as a clarinettist before moving to vocal studies where he graduated from the Istituto Claudio Monteverdi in Cremona.

His repertoire includes Sparafucile Rigoletto, Colline La Bohème, Rocco Fidelio, Seneca L’Incoronazione di Poppea, Selim Il Turco in Italia, Sarastro Die ZauberflöteAchille in Sciro, Mustàfa Italiana in Algeri, and the title role in Don Pasquale among many others.

He has appeared at Metropolitan Opera, Opernhaus Zurich, Teatro Real Madrid, Bayerische Staatsoper, Deutsche Staatsoper, Cincinnati Opera, Theatre des Champs Elysées, Teatro Massimo Di Palermo, and Royal Opera House Covent Garden.


Video & Audio

Performance Schedule

  • 20:00 20 Dec 2018 Teatro Real Madrid, MADRID More info  

    GIACOMO PUCCINI Turandot

    Conductor: Nicola Luisotti
    Director: Robert Wilson
    Princess Turandot: Nina Stemme
    Emperor Altoum: Raúl Giménez
    Timur: Andrea Mastroni
    Calaf: Gregory Kunde
    Liù: Yolanda Auyanet
    Ping: Joan Martín-royo
    Pang: Vicenç Esteve
    Pong: Juan Antonio Sanabria
    A Mandarin: Gerardo Bullón

  • 18:00 23 Dec 2018 Teatro Real Madrid, MADRID More info  

    GIACOMO PUCCINI Turandot

    Conductor: Nicola Luisotti
    Director: Robert Wilson
    Princess Turandot: Nina Stemme
    Emperor Altoum: Raúl Giménez
    Timur: Andrea Mastroni
    Calaf: Gregory Kunde
    Liù: Yolanda Auyanet
    Ping: Joan Martín-royo
    Pang: Vicenç Esteve
    Pong: Juan Antonio Sanabria
    A Mandarin: Gerardo Bullón

  • 20:00 27 Dec 2018 Teatro Real Madrid, MADRID More info  

    GIACOMO PUCCINI Turandot

    Conductor: Nicola Luisotti
    Director: Robert Wilson
    Princess Turandot: Nina Stemme
    Emperor Altoum: Raúl Giménez
    Timur: Andrea Mastroni
    Calaf: Gregory Kunde
    Liù: Yolanda Auyanet
    Ping: Joan Martín-royo
    Pang: Vicenç Esteve
    Pong: Juan Antonio Sanabria
    A Mandarin: Gerardo Bullón

  • 18:00 30 Dec 2018 Teatro Real Madrid, MADRID More info  

    GIACOMO PUCCINI Turandot

    Conductor: Nicola Luisotti
    Director: Robert Wilson
    Princess Turandot: Nina Stemme
    Emperor Altoum: Raúl Giménez
    Timur: Andrea Mastroni
    Calaf: Gregory Kunde
    Liù: Yolanda Auyanet
    Ping: Joan Martín-royo
    Pang: Vicenç Esteve
    Pong: Juan Antonio Sanabria
    A Mandarin: Gerardo Bullón

  • 17:00 01 Jan 2019 Hamburgische Staatsoper, HAMBURG More info  

    WOLFGANG AMADEUS MOZART Die Zauberflöte

    Music Director: Kent Nagano
    Sarastro: Andrea Mastroni
    Tamino: Oleksiy Palchykov
    Pamina: Elbenita Kajtazi
    Sprecher: Alin Anca
    Priester: Hiroshi Amako
    Köngin der Nacht: Jessica Pratt
    Erste Dame: Hellen Kwon
    Zweite Dame: Ruzana Grigorian
    Dritte Dame: Nadezhda Karyazina
    Papageno: Jonathan Mcgovern
    Monostatos: Peter Galliard
    Papagena: Narea Son

  • 19:00 04 Jan 2019 Hamburgische Staatsoper, HAMBURG More info  

    WOLFGANG AMADEUS MOZART Die Zauberflöte

    Tamino: Dovlet Nurgeldiyev
    Pamina: Elbenita Kajtazi
    Sprecher: Alin Anca
    Priester: Hiroshi Amako
    Königin der Nacht: Jessica Pratt
    1st Lady: Hellen Kwon
    2nd Lady: Ruzana Grigorian
    Papageno: Jonathan Mcgovern
    Papagena: Narea Son
    Monostatos: Peter Galliard
    Sarastro: Andrea Mastroni
    3rd Lady: Nadezhda Karyazina

Discography

  • More info  
    HANDEL Melancholia

    Label: Musica Viva Records

    Release Date: 01 Jan 18

    Conductor: Riccardo Doni
    Bass: Andrea Mastroni
    Accademia Dell’Annunciata

  • More info  
    VERDI Rigoletto

    Label: Delos

    Release Date: 10 Nov 17

    Conductor: Constantine Orbelian

    Dmitri Hvorostovsky
    Nadine Sierra
    Francesco Demuro
    Andrea Mastroni
    Oksana Volkova

    Kaunas Symphony Orchestra
    Men of the Kaunas State Choi

  • More info  
    DUPARC Lamento

    Label: Brilliant Classics

    Release Date: 04 Dec 15

    Bass: Andrea Mastroni
    Piano: Mattia Ometto

  • More info  
    ROSSINI Semiramide

    Label: Naxos

    Release Date: 03 Sep 13

    Conductor: Antonino Fogliani

    Semiramide: Alex Penda
    Arsace: Marianna Pizzolato
    Assur: Lorenzo Regazzo
    Idreno: John Osborn
    Oroe: Andrea Mastroni
    Azema: Marija Jokovic
    Mitrane: Vassilis Kavayas
    Nino’s ghost: Raffaele Facciolà

    Camerata Bach Choir & Virtuosi Brunensis

  • More info  
    GOUNOD Roméo et Juliette

    Label: DECCA

    Release Date: 12 Nov 12

    Conductor: Fabio Luisi

    Roméo: Andrea Bocelli
    Juliette: Maite Alberola

    Orchestra & Chorus of Teatro Carlo Felice of Genova

  • More info  
    VERDI I Vespri Siciliani

    Label: C Major

    Release Date: 13 May 13

    Conductor: Massimo Zanetti
    Director: Pier Luigi Pizzi

    Guido di Monforte:  Leo Nucci
    Il sire di Bethune: Dario Russo
    Il conte Vaudemont: Andrea Mastroni
    Arrigo: Fabio Armiliato
    Giovanni da Procida: Giacomo Prestia
    La
    duchessa Elena: Daniela Dessì
    Ninetta: Adriana Di Paola
    Danieli: Raoul d’Eramo
    Tebaldo: Roberto Jachini Virgili
    Roberto: Alessandro Battiato
    Manfredo: Camillo Facchino

    Parma Teatro Regio Chorus and Orchestra

  • More info  
    MARCHETTI: Romeo e Giulietta

    Label: Dynamic

    Release Date: 28 Feb 00

    Composer(s):
    Marchetti, Filippo

    Lyricist(s):
    Marcello, Marco Marcelliano

    Conductor(s):
    Yurkevych, Andriy

    Featuring
    Orchestra Internazionale d’Italia
    Bratislava Chamber Choir

    Artist(s):
    MarioCassi, Giovanni Coletta, Serena Daolio, Eugen Gaal, Roberto Iuliano, Andrea Mastroni, Tiziana Portoghese, Dario Solari, Emil Zhelev

  • More info  
    30 Nov 18 PUCCINI Turandot
    Teatro Real Madrid

    “La basse italienne Andrea Mastroni donne chair à Timur…

    (Translated) “The Italian Bass Andrea Mastroni gives flesh to Timur…

    Thibault Vicq, Opera Online, 9 December 2018

    “En solitario y en conjunto, la dupla infundió fuerza a la interpretación, con una proyección vocal absolutamente pujante, sin perjuicio de dicciones, tonos y colores asimismo adecuados.”

    (Translated “Alone and as a whole, the duo [Andrea Mastroni and Yolanda Auyante] gave strength to the interpretation, with an absolutely powerful vocal projection, without prejudice of dictions, tones or colours.

    Ramón del Buey Canas, Bachtrack, 6 December 2018

     

  • More info  
    04 Oct 18 HÄNDEL Rodelinda
    Opéra de Lille

    “l’Italien plastronne et gronde à l’envi, exhibant généreusement les noirceurs d’un métal sonore qui siéent à merveille à l’une des pires crapules du théâtre haendélien”

    (translated) “The Italian bursts and roars at will, generously showing the dark metal sound that fits perfectly with one of the worst scoundrels of the Handelian theater”

    Bernard Schreuders, Forum Opera, 4 October 2018

    “Andrea Mastroni was Garibaldo, a one-dimensional bad guy; his bass was remarkably elegant and enjoyable; another young singer whose career will be worth following.”

    Laura Servidei, bachtrack, 8 October 2018

    “L’odieux Garibaldo peut s’appuyer sur le grave profond et projeté d’Andrea Mastroni.”

    (Translated) “The odious Garibaldo is safe in the hands of the deep and projected bass of Andrea Mastroni”

    Philippe Venturini, Les Echos, 9 October 2018 

    “Garibaldo, enfin, est confié à la basse Andrea Mastroni. Dans un contraste étonnant, la voix sombre et dense prend des accents qui paraîtraient nobles s’ils n’étaient le fait d’un personnage de médiocre comploteur, prêt à toutes les trahisons.”

    (Translated) “Finally, Garibaldo is entrusted to the bass Andrea Mastroni. In an astonishing contrast, the dark, dense voice takes on what seems like hints of nobility, as if it were not coming from a mediocre plotting character, ready for all betrayals.”

    Caroline Mounier-Vehier, Olyrix, 7 October 2018

    “Quant à la basse d’Andrea Mastroni (Garibaldo), elle gronde, rugit, résonne – un vrai méchant d’opéra !”

    (Translated) “As for the Bass Andrea Mastroni (Garibaldo), he roars, rumbles, reverberates… A true villain!”

    Gaëlle Le Dantec, Concert Classic, 11 October 2018

    “La basse opulente d’Andrea Mastroni…”

    “Andrea Mastroni’s luxurious bass…”

    Christian Merlin, Le Figaro, 10 October 2018

    “…Garibaldo, un rôle de méchant confié à la basse impressionnante d’Andrea Mastroni”

    (translated) “…Garibaldo, the role of villain entrusted bass of Andrea Mastroni”

    Marie-Aude Roux, Le Monde, 10 October 2018

    “Andrea Mastroni, par sa profonde voix de basse et sa nature intensément lyrique, marque les esprits en Garibaldo, désireux de s’unir à Eduige par pur intérêt.”

    ConcertoNet, Sébastien Foucart, 18 October 2018

  • More info  
    04 Feb 18 HÄNDEL Melancholia
    Museo Nazionale di Scienza e Tecnologia “Leonardo Da Vinci” di Milano

    (Translated) “The Milanese bass Andrea Mastroni has recorded this album with arias from some of Montagnana’s most important roles, beginning and ending with selections from Ezio. Mastroni has an uncommonly flexible, fluid, and richly nuanced bass with a substantial low register, and masters pieces with a range of two octaves. He is especially impressive in Polifemo’s “Fra l’ombre e gl’orrori” from Aci, Galatea, e Polifemo. Mastroni receives sensitive accompaniment from the Accademia dell’Annunciata led by Riccardo Doni.”

    Opernwelt, June 2018

    “Mastroni, liederista raffinato oltre che versato al repertorio della mélodie francese, mette la sua tavolozza rigogliosa di colori a completo servizio di un canto ricco e corposo, oltre che facilissimo nelle agilità.
    Le scelte delle arie permette a Mastroni, ben assecondato dagli strumentisti dell’Accademia dell’Annunciata guidati con mano salda ma leggera da Riccardo Doni, il dispiegare nella sua interezza l’invidiabile estensione che possiede e con un’intelligenza interpretativa tutt’altro che comune.”

    “Mastroni, a refined “liederist” while also well-versed in the French melodic repertoire, paints his lush palette of colours through the rich and full-bodied songs with ease and agility. The selection of arias allows Mastroni to reach out using that enviable grasp he possesses with unique intelligence, all-the-while supported by the instrumentalists of the Accademia dell ‘Annunciata and guided by the light but firm hand of Riccardo Doni.”

    Alessandro Cammarano, Le Salon Musical, 7 July 2018

    “… la musica di Händel è magnifica e che magnifica è pure la voce ampia e sonora di Mastroni, dal timbro scuro e profondo, davvero singolare per colore e morbidezza; tanto più che questa voce è messa a servizio di un fraseggio duttile, piegato a sfumature di inaudita eleganza, ma pure incisivo e preciso nei virtuosismi di una scrittura ricca e frastagliata. Il cantante ha dedicato sempre grande attenzione alle parole, non solo nei recitativi, scanditi con precisione, ma anche nei momenti di lirica effusione, come nell’aria “Invida sorte avara”, da Ariodante, pagina di tersa bellezza. Ha emozionato la particolarissima scrittura di “Fra l’ombre e gl’orrori”, da Aci Galatea e Polifemo, che porta Mastroni a delibare un sicuro falsetto alternato a note profondissime, assecondato da un’orchestra morbida e avvolgente”.

    Fabio Larovere, Connessi all’Opera, 8 February 2018

    “D’altronde il basso ha alle spalle premi prestigiosi che testimoniano l’apprezzamento per una carriera di alto livello. Non solo come interprete di Handel ma anche di Vivaldi, Rossini, Mozart ma anche di Verdi. Per arrivare sino alle interpretazioni di opere di autori contemporanei. ”Una voce come un cannone”, secondo la definizione che un viaggiatore scozzese riservò a Montagnana dopo aver assistito a Londra ad una esibizione del cantante veneziano.”

    Antonio Paolo Montagnana, Electo Radio 2018

    “Schlichtweg grandios schließlich, mit wie viel Gefühl Andrea Mastroni die Arie “ Fra l’ombre e gl’orrori“ zelebriert. Grandios, auch die Klangpracht, die diese Stimme in der Tiefe entwickelt. Sie erscheint in allen Lagen ausgeglichen, so, als es in seinem Stimmfach keine Grenzen geben würde.”

    Herausgeber: Sven Godenrath, 8 April 2018

    “Um diese Faszination akustisch wiederzubeleben, braucht es einen besonderen Künstler. Und der italienische Bassist Andrea Mastroni ist ein solcher. Sein beim Label Viva Musica erschienenes Album ‘Melancholia’ ist eine Hommage an Händels nahezu vergessenen Starbass. Mit einem furiosen ‘Già risonar d‘intorno’ aus ‘Ezio’ eröffnet die CD. Mastroni ist ein versierter Koloratursänger, der Händels Anforderungen beneidenswert gewachsen ist. Dabei ist es verblüffend, mit welcher Agilität der Sänger zu Werke geht, wo seine Stimme von einer kraftvollen Schwärze und einigem Gewicht ist. Dass Andrea Mastroni all diese Qualitäten in seiner lebendigen und ungemein authentischen Interpretation vereinen kann, macht größtmöglichen Effekt.”

    (Translated) “(…) To acoustically revive this fascination, a special artist is needed. And Italian bassist Andrea Mastroni is one of them. His album ‘Melancholia’, released by the label Viva Musica, pays homage to Handel’s almost forgotten Starbass. The CD opens with a furious ‘Già risonar d’intorno’ from ‘Ezio’. Mastroni is an accomplished coloratura singer who has grown enviable to Handel’s requirements. It is amazing how agile the singer goes to work, where his voice is of a powerful blackness and some weight. The fact that Andrea Mastroni combines all these qualities in his lively and uncommonly authentic interpretation makes the greatest possible impact.”

    Benjamin Künzel, Klassik.com, 14 July 2018

  • More info  
    14 Dec 17 VERDI Rigoletto
    Royal Opera House

    “We heard two exciting basses: aside the Platanias/Fomina duets, the high points of Act 1 were the entries of Sparafucile and Monterone. Andrea Mastroni was a rather youthful, slick Sparafucile, but with a big voice which can generate excitement right through the middle of the range as well as on the long low F as he exits; he also very much livened up his Act 3 exchanges with Maddalena (Nadia Krasteva, in a promising Royal Opera debut).”

    David Karlin, Backtrack, 15 December 2017

    “Michael Fabiano’s Duke is the real deal. Impulsive, volatile and brimming with arrogance, he conveys the feral power of a lustful despot on the loose, with his voice and body language. I also like Andrea Mastroni’s Sparafucile, his vocal timbre as black as his heart.”

    Richard Morrison, The Times, 18 December 2017

    “Andrea Mastroni was a fantastic Sparafucile, a man of the shadows, his evil understated but undoubtable: Mastroni’s sensitive, graded parlando in Act 1 told us all we needed to know.”

    Claire Seymour, Opera Today, 17 December 2017

    “There’s an excellent Sparafucile from Andrea Mastroni – coolly self-controlled and genuinely sinister.”

    Tim Ashley, The Guardian, 21 December 2017

  • More info  
    19 Nov 17 HANDEL Serse
    Opéra Royal du Chateau de Versailles

    “Pour soutenir un tel plateau notamment dans ses ensembles (l’équilibre, c’est la basse, nous rappelait récemment Attila !) et afin d’offrir la noirceur d’Ariodate, il faut une basse royale : elle se nomme ici Andrea Mastroni. Sonore jusque dans les notes les plus graves de la tessiture, il fait forte impression avec une voix enracinée et très riche en harmoniques graves. Le public en gronde comme lui.”
    Charles Arden, Olyrix, 20 November 2017

  • More info  
    17 Jul 17 VERDI Rigoletto
    Arena di Verona

    “Il faut admirer la jeune basse Andrea Mastroni en Sparafucile de maître ! La nature fut généreuse avec le Lombard [lire notre critique de son CD Henri Duparc] – on perçoit nettement la voix naturelle dont il dispose –, mais il ne s’en tient pas là : une maîtrise exemplaire de ses moyens conduit cette incarnation magistrale.”
    Katy Oberlé, Anaclase, 6 July 2017

    “Andrea Mastroni è un ottimo Sparafucile, dal timbro grave sempre ben calibrato e dalla linea melodica gestita con sapienza.”
    Raffaella Petrosino, GB Opera, 5 July 2017

    “Ottimo lo Sparafucile disegnato da Andrea Mastroni, che nella voce tornita trova una vena notturna che contribuisce ad ammantare di ulteriore mistero il personaggio.”
    Alessandro Cammarano, Operaclick, 2 July 2017

     

  • More info  
    12 May 17 VERDI Don Carlo
    Royal Opera House Covent Garden

    “…Andrea Mastroni’s sonorous Carlos V…”
    Michael Church, Independent, 16 May 2017

    “David Junghoon Kim was a dignified Lerma, whilst Andrea Mastroni held our attention as Carlos V.”
    Robert Hugill, Planet Hugill, 16 May 2017

    ” Andrea Mastroni was impeccably mysterious as Carlos V…”
    Colin Clarke, Seen and Heard, 15 May 2017

    “Otra historia es el prometedor bajo Andrea Mastroni … Mastroni impresionó con su voz profunda y potente de auténtico bajo en sus brevísimas intervenciones como Carlo V.”

    Elio Ronco Bonvehi, Culturalresuena, 20 May 2017

     

  • More info  
    19 Mar 17 VERDI Rigoletto
    Hamburgische Staatsoper

    “The best singing of the evening came from Andrea Mastroni as Sparafucile … Milan-born Mastroni was absolutely convincing as the duplicitous assassin and his vocal abilities were no less impressive. A floaty top E flat on ‘Sparafucile’ in his first encounter with Rigoletto was both sinister and seductive while the low F naturals in Act 1 and his ‘Buona notte’ in Act 3 had sepulchral sonority.”

    Jonathan Sutherland, Bachtrack, 19 March 2017

  • More info  
    20 Jan 17 VERDI Rigoletto
    Metropolitan Opera

    “Her naivety was in stark contrast to the evil of the character of Sparafucile, which was so chillingly brought out by Italian bass Andrea Mastroni, making his Met debut. His performance was one of the vocal highlights of the evening, his booming resonance in the low lying tessitura drawing out the character’s darkness. He portrayed the hitman with an almost perverse and unrepentant pleasure – this pure evil contrasted with the innocence of Gilda heightening the sense of impending tragedy.”
    Oliver Brett, Bachtrack, 23 January 2017

    “Andrea Mastroni made a superb company debut as Sparafucile, playing the slick, shady hitman with a rich barolo voice.”
    Eric C. Simpson, New York Classical Review, 21 January 2017

    “…his voice and demeanor display all the oily charisma one could desire.”
    Patrick Clement James, Parterre, 22 January 2017

  • More info  
    04 Nov 16 PEROCCO Aquagranda (World Premiere)
    Teatro la Fenice, Venice

    “Andrea Mastroni, forte dell’autorevolezza della sua cavata grave ma al contempo capace di vellutate morbidezze…”

    Andrea Mastroni has an authoritative low register, while having ease and softness in his upper one.

    Alessandro Cammarano, Operaclick, 5 November 2016

  • More info  
    11 Dec 15 VERDI Rigoletto
    Teatro Real Madrid

    “Il basso milanese Andrea Mastroni è uno Sparafucile perfetto…”

    Milanese-bass Andrea Mastroni is a perfect Sparafucile…

    Michele Curnis, GB Opera, 14 December 2015

  • More info  
    21 Oct 15 MOZART Die Zauberflöte
    Teatro Massimo, Palermo

    “…la voce profonda e morbida del basso Andrea Mastroni, un Sarastro perfettamente addentro alla figura posata e autorevole, solare, del personaggio.”

    …his voice was deep and soft. Bass Andrea Mastroni was a perfect gentle, autoritative, and cheerful Sarastro.

    Elisabetta Ragusa, GB Opera, 27 October 2017

  • More info  
    22 Sep 15 DONIZETTI Roberto Deveraux
    Teatro Real Madrid

    “Le reste de la distribution est en revanche irréprochable, jusque dans ses rôles secondaires (notamment la basse sonore et bien chantante d’Andrea Mastroni en Sir Raleigh)…”

    The other members of the cast were a flawless match, even in the supporting roles (bass Andrea Mastroni distiguinshed himself in the role of Sir Raleigh for his big voice and amazing singing lines)…

    Antoine Brunetto, Forum Opéra, 4 October 2015

  • More info  
    25 Jul 15 PUCCINI Turandot
    Cincinnati Opera

    “Also new to Cincinnati Opera, bass Andrea Mastroni as Timur displayed the banished ruler’s powerful yet plaintive assessment of what he deserves and what has been denied him. The shocked collective mourning for Liu was made particularly effective by Mastroni’s performance.”

    Jay Harvey, Up Stage, 30 July 2015

    “It is an imposing sound, full, noble, and rich. He, too, will be a valuable presence on operatic stages in years to come”

    OperaNews, October 2015

  • More info  
    10 Aug 14 VERDI Aida
    Arena di Verona

    “Andrea Mastroni nei panni del Faraone conferma i pronostici che lo rilevano come una delle voci gravi migliori della sua generazione…”

    As the Pharaoh, Andrea Mastroni confirms he is one of the best bass voices of this generation…

    Raffaella Petrosino, GB Opera, 12 August 2014

Interviews

Read Andrea’s interview on his album “Melancholia: Händel’s Bass Arias” on OperaWire (2018)

Read Andrea’s interview on his Met debut on OperaWire (2017)

Read Andrea’s interview on Blastingnews (2017)

Trevor Gillis talks to Andrea about his Met debut, upcoming album, and most challenging role. Read it here. (2017)

Andrea talks to Fabio Larovere from Connessi all’Opera about his new CD Melancholia. Read it here. (2017)

 

Repertoire

OPERA:
BEETHOVEN Fidelio (Rocco)
BOITO Mefistofele
DONIZETTI Don Pasquale (Don Pasquale)
HALÉVY La Juive (Cardinal de Brogni)
HANDEL Rodelinda (Garibaldo)
HANDEL  Ariodante (Il Re di Scozia)
HANDEL Giulio Cesare (Achilla)
HANDEL Agrippina (Claudio / Pallante)
MONTEVERDI Orfeo (Caronte & Plutone)
MONTEVERDI L’ Incoronazione di Poppea (Seneca)
MOZART Die Zauberflöte (Sarastro)
MOZART Die Entführung aus dem Serail  (Osmin)
MOZART Don Giovanni (Leporello)
MOZART Così fan tutte (Don Alfonso)
PONCHIELLI La Gioconda
ROSSINI Aureliano in Palmira
ROSSINI Italiana in Algeri (Mustafà)
ROSSINI Il Turco in Italia (Selim)
ROSSINI Il Viaggio a Reims (Lord Sidney)
ROSSINI Le comte Ory
STRAUSS Der Rosenkavalier (Baron Ochs)
STRAVINSKY Oedipus Rex (Tiresias)
WAGNER Parsifal (Gurnemanz)
WAGNER Tristan und Isolde (König Marke)
WAGNER Die Walküre (Hunding)
WAGNER Der fliegende Holländer (Daland)
WAGNER Lohengrin (Heinrich)

CONCERT:
BACH St John Passion
BEETHOVEN Symphony No.9
BRUCKNER Requiem
FAURE Requiem
HAHN Mélodies
HANDEL The Messiah (solo a 415 Hz)
MAHLER Kindertotenlieder
MAHLER Lieder eines fahrenden Gesellen
MAHLER Rückert-Lieder
MOZART Requiem
MUSSORGSKY Songs and Dances of Death
SCHUBERT Winterreise
SCHUBERT Schwanengesang
SCHUBERT Die schöne Müllerin
SCHUBERT Lieder (Erlkönig, Romanze aus Rosamunde, Die Forelle, an die Musik)
SCHUMANN Dictherliebe op.47
SCHUMANN Liederkreis
WOLF Michelangelo Lieder
DUPARC Mélodies (Opera omnia)
DVORAK Stabat Mater
DVORAK Requiem