Stephen Costello

Introduction

The fast-rising young tenor Stephen Costello came to national attention in 2007 when, at age 26, he debuted at the Met’s season-opening night and was quickly invited to appear again that same season.  In 2009, he won the prestigious Richard Tucker Award. He subsequently made his debuts at a number of the world’s most important opera houses and music festivals, including London’s Royal Opera House, Covent Garden, the Deutsche Oper Berlin, the Salzburg Festival, and the Vienna State Opera.  In 2010 he inaugurated the role of Greenhorn in the Dallas Opera’s acclaimed world-premiere production of Jake Heggie and Gene Scheer’s Moby Dick.

Stephen Costello launched his 2011-12 season on September 26 with his second opening night performance at New York’s Metropolitan Opera, where he reprised the role of Lord Percy in Donizetti’s Anna Bolena. The season-opening new production by David McVicar, featuring Anna Netrebko in the title role, marked the first time the Met has staged the work. The October 15 performance was transmitted to movie theaters worldwide as part of the “Met: Live in HD” series.  In January 2012, Costello made his company role debut as Alfredo in Verdi’s La traviata at London's Royal Opera House, Covent Garden. In May 2012, he portrayed Rodolfo, and Costello’s wife, soprano Ailyn Pérez, plays Mimì in Los Angeles Opera's production of Puccini’s La bohème.  Other engagements this season include Edgardo in Donizetti’s Lucia di Lammermoor at Teatro de la Maestranza in Seville; Fritz in Mascagni’s L'Amico Fritz opposite Ailyn Pérez with the Moscow Philharmonic; and Alfredo in La Traviata, once again opposite Ailyn Pérez, with Cincinnati Opera.  

Engagements in the 12/13 season and beyond include Ishmael in Moby Dick for San Francisco Opera and Washington National Opera, Rodolfo in La bohème at the Deutsche Staatsoper Berlin, Nemorino in L'elisir d'amore at the Wiener Staatsoper and Washington National Opera, Edgardo in Lucia di Lammermoor for Canadian Opera Company, Alfredo in La traviata at the Hamburg State Opera, Royal Opera House Covent Garden, Wiener Staatsoper, San Francisco Opera and the Deutsche Oper Berlin, Percy in Anna Bolena at the Wiener Staatsoper, the Duke in Rigoletto and Ferrando in Cosi fan tutte for Houston Grand Opera, Des Grieux in Manon and Lensky in Eugene Onegin for Dallas Opera, as well as future appearances at the Metropolitan Opera New York.

NB for a full up-to-date biography please contact Rachel Walters  

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News & Features

Repertoire

Operatic Repertoire

BELLINI - I Capuleti e i Montecchi, Tebaldo
BELLINI - La sonnambula, Elvino
BIZET - Les Percheurs de Perles, Nadir
DELIBES - Lakme, Gerald
DONIZETTI - Anna Bolena, Percy
DONIZETTI - Don Pasquale, Ernesto
DONIZETTI - L'elisir d'amore, Nemorino
DONIZETTI - La fille du Regiment, Tonio
DONIZETTI - Lucia di Lammermoor, Edgardo
DONIZETTI - Maria Stuarda, Leicester
DONIZETTI - Roberto Devereux, Roberto
GOUNOD - Faust, Faust
GOUNOD - Romeo et Juliette, Romeo
MASCAGNI - L'Amico Fritz, Fritz
MASSENET - Manon, Des Grieux
PUCCINI - Gianni Schicchi, Rinuccio
PUCCINI - La Boheme, Rodolfo
ROSSINI - Guillaume Tell, Fisherman
STRAUSS - Der Rosenkavalier, Italian Tenor
VERDI - Falstaff, Fenton
VERDI - La Traviata, Alfredo
VERDI - Otello, Cassio
VERDI - Rigoletto, Duke

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Video


  • GOUNOD Romeo's aria from Romeo et Juliette

Schedule

Central Park Summer Stage, New York, New York

Stephen Costello performs in the Metropolitan Opera's Summer Recital Series in the Park.

Programme

Metropolitan Opera's Summer Recital Series in the Park.


RECITAL
Erin Morley, soprano
Isabel Leonard, mezzo-soprano
Stephen Costello, tenor
Bradley Moore, pianist

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Press

Donizetti

La Fille du Regiment - Tonio

San Diego Opera

"Tonio’s nail biting “Pour mon âme” finds Costello hitting the nine high Cs with an introductory staccato adding a splendid, dramatic extension, and he effortlessly holds on to the concluding note with charismatic tenuto. It’s one the most memorable highlights of the opera."

ConcertoNet.com
"Costello was completely convincing as Tonio, her suitor who joins the army just so her can marry her (then he runs up against the Marquise)."  U-T San Diego, 27 January 2013

Heggie

Moby Dick

San Francisco Opera

"Tenor Stephen Costello sang the role of Greenhorn – the Ishmael of the novel – with sympathetic tone and an attention to the character’s journey from innocence to experience."
Bachtrack, October 2012

Verdi

La Traviata - Alfredo

Royal Opera House, Covent Garden

"The first cast ... lacked stage chemistry. But from the moment Ermonela Jaho meets her Alfredo in the form of Stephen Costello in her glittering salon, you sense the electricity between them...Jaho’s gestures and attitudes have an expressive grace for which Costello’s airy, boyish lyricism makes the ideal foil."

  The Independent, January 2012

Donizetti

Anna Bolena - Percy

Metropolitan Opera, New York

"and it was good to hear the young American tenor Stephen Costello back on ringing form.." The Sunday Times, October 2011
"As the hapless Percy, Anna’s former lover — and possibly husband — tenor Stephen Costello sang with fervent lyricism and coped extremely well with the many daunting high notes in the role." Washington Post, September 2011

Gounod

Romeo et Juliette

Opera Company of Philadelphia

"But the chief attraction is the casting of America's fastest-rising husband-and-wife opera stars in the title roles: tenor Stephen Costello and soprano Ailyn Perez. Young, attractive singers who are proud alumnae of the Academy's training program, they made the performance a memorable one.
 
Costello, winner of the 2009 Richard Tucker Award, is a prodigiously gifted singer whose voice makes an immediate impact. There's an unforced warmth and generosity to his sound, and his big aria, "Ah! Leve-toi, soleil!" ("Arise, o sun!") showed excellent control over phrasing and dynamics. Occasionally he pushes up to a high note from below — but once reached, those notes ring out excitingly."
Associated Press, February 2011
"Costello gave the type of solid performance that has earned him major roles at the Metropolitan, where he will be the leading tenor in next season's opening night Anna Bolena. The quality that differentiates Costello is his solid voice that retains a defined character no matter where he is on the scale. It is a bit baritonal, reminiscent of Plácido Domingo's sound. In addition, Costello employs stylish diminuendos and graceful, classy phrasing." Opera Critic, February 2011