Sergey Romanovsky

Introduction

An innate musician with a prodigious talent, Sergey Romanovsky was born in Mineralny Vody, a small town in central Russia. He is a graduate of the Tchaikovsky State Conservatory and Moscow Academy of Choral Arts where he worked with vocal coach Dmitry Vdovin. Sergey has won prizes in several major competitions including; International Bella Voce Competition, Moscow (2005). In the same year he was awarded a special grant by the New Names Charity Foundation which was followed by concert tours of Germany as part of the Foundation's concert programme. Roles have included Tebaldo (I Capuleti e Montecchi) and debuts at La Scala as Count Libenskoff (Il Viaggio a Reims). 

Sergey has appeared as Count Almaviva (Il Barbiere di Siviglia) for Opera de Wallonie, Opera de Montréal and the Teatro Petruzelli, Bari conducted by the late Maestro Maazel. Other roles have included; Ernesto (Don Pasquale) for Norske Opera, Oslo and Lensky (Eugene Onegin). In the forthcoming seasons his roles include; his house debut as Duke of Mantua (Rigoletto) for Bolshoi Theatre, Ernesto (Don Pasquale) for Operas de Avignon, Massy and Vichy, Count Almaviva (Il Barbiere di Siviglia) for the Stanislavsky Theatre, Mercure & Athlete (Castor et Pollux) for Opera de Toulouse, Don Ramiro (La Cenerentola) for Gothenburg Opera and a ' May Nights' concert for the Moscow State Philharmonic Society.

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Repertoire

BELLINI
I Capuleti e i Montecchi (Tebaldo)
La Sonnambula (Elvino)

BIZET
Les Pecheurs de Perles (Nadir)

DONIZETTI
Don Pasquale (Ernesto)
L'elisir d'amore (Nemorino)
La Fille du Regiment (Tonio)

GLUCK
Die Pilger von Mekka (Ali)

GOUNOD 
Romeo et Juliette (Romeo)

MOZART
Così fan tutte (Ferrando)
La Clemenza di Tito (Tito)

PUCCINI
Gianni Schicchi 

RAMEAU 
Castor et Pollux (Mercure & Athlete)

ROSSINI
Il barbiere di Siviglia (Count Almaviva)
La Cenerentola (Don Ramiro)
Il Viaggio a Reims (Conte Libenskoff)
L'italiana in Algeri (Lindoro)

RACHMANINOV
Aleko (Young Gypsy)

RIMSKI-KORSAKOV
The Snow Maiden (Tsar Berendey)
Mozart & Salieri 
May Night

STRAUSS
Der Rosenkavalier 

TCHAIKOVSKY
Eugene Onegin (Lensky)

VERDI
La traviata (Alfredo)
Rigoletto 

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BRITTEN
Les Illuminations

HAYDN
The Creation

MOZART
Requiem

RACHMANINOV
The Bells

ROSSINI
La Petite messe solennelle
Stabat Mater

SHOSTAKOVICH
The Song of the Forests

VERDI
Requiem 

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Schedule

Theatre du Capitole, Toulouse

RAMEAU: Castor et Pollux

Antonio Figueroa Castor 
Aimery Lefèvre Pollux 
Hasnaa Bennani Cléone / Une Suivante / Une Ombre heureuse 
Hélène Guilmette Télaïre 
Gaëlle Arquez Phébé 
Dashon Burton Jupiter 
Sergey Romanovsky L’Athlète / Mercure 
Konstantin Wolff Le Grand Prêtre de Jupiter / Une Voix 
Christophe Rousset direction musicale 

Theatre du Capitole, Toulouse

RAMEAU: Castor et Pollux

Antonio Figueroa Castor 
Aimery Lefèvre Pollux 
Hasnaa Bennani Cléone / Une Suivante / Une Ombre heureuse 
Hélène Guilmette Télaïre 
Gaëlle Arquez Phébé 
Dashon Burton Jupiter 
Sergey Romanovsky L’Athlète / Mercure 
Konstantin Wolff Le Grand Prêtre de Jupiter / Une Voix 
Christophe Rousset direction musicale 

Bolshoi Theatre, Moscow

VERDI - Rigoletto


The Duke of Mantua Sergey Romanovsky
Rigoletto Valery Alexeyev
Gilda Kristina Mkhitaryan
Sparafucile Oleg Tsybulko
Maddalena Justina Gringyte
Giovanna Alexandra Durseneva
Count Monterone Otar Kunchulia
Marullo Konstantin Shushakov
Matteo Borsa Arseny Yakovlev
Count Ceprano Nikolai Kazansky
Countess Ceprano Daria Davydova
A Court Usher Sergei Vasilchenko
A Page Ruslana Koval
 


Music Director Evelino Pidò
Stage Director Robert Carsen
Bolchoi Orchestra

Goteborgs Operan, Gothenburg

ROSSINI: La Cenerentola

Conductor Giancarlo Andretta
Direction David Radok
Don Ramiro Sergey Romanovsky
Dandini Åke Zetterström
Don Magnifico Markus Schwartz
Clorinda Mia Karlsson
Tisbe Ann-Kristin Jones
Angelina Gaia Petrone
The Göteborg Opera Male Chorus
The Göteborg Opera Orchestra

Goteborgs Operan, Gothenburg

ROSSINI: La Cenerentola

Conductor Giancarlo Andretta
Direction David Radok
Don Ramiro Sergey Romanovsky
Dandini Åke Zetterström
Don Magnifico Markus Schwartz
Clorinda Mia Karlsson
Tisbe Ann-Kristin Jones
Angelina Gaia Petrone
The Göteborg Opera Male Chorus
The Göteborg Opera Orchestra

Goteborgs Operan, Gothenburg

ROSSINI: La Cenerentola

Conductor Giancarlo Andretta
Direction David Radok
Don Ramiro Sergey Romanovsky
Dandini Åke Zetterström
Don Magnifico Markus Schwartz
Clorinda Mia Karlsson
Tisbe Ann-Kristin Jones
Angelina Gaia Petrone
The Göteborg Opera Male Chorus
The Göteborg Opera Orchestra

Goteborgs Operan, Gothenburg

ROSSINI: La Cenerentola

Conductor Giancarlo Andretta
Direction David Radok
Don Ramiro Sergey Romanovsky
Dandini Åke Zetterström
Don Magnifico Markus Schwartz
Clorinda Mia Karlsson
Tisbe Ann-Kristin Jones
Angelina Gaia Petrone
The Göteborg Opera Male Chorus
The Göteborg Opera Orchestra

Goteborgs Operan, Gothenburg

ROSSINI: La Cenerentola

Conductor Giancarlo Andretta
Direction David Radok
Don Ramiro Sergey Romanovsky
Dandini Åke Zetterström
Don Magnifico Markus Schwartz
Clorinda Mia Karlsson
Tisbe Ann-Kristin Jones
Angelina Gaia Petrone
The Göteborg Opera Male Chorus
The Göteborg Opera Orchestra

Goteborgs Operan, Gothenburg

ROSSINI: La Cenerentola

Conductor Giancarlo Andretta
Direction David Radok
Don Ramiro Sergey Romanovsky
Dandini Åke Zetterström
Don Magnifico Markus Schwartz
Clorinda Mia Karlsson
Tisbe Ann-Kristin Jones
Angelina Gaia Petrone
The Göteborg Opera Male Chorus
The Göteborg Opera Orchestra

Goteborgs Operan, Gothenburg

ROSSINI: La Cenerentola

Conductor Giancarlo Andretta
Direction David Radok
Don Ramiro Sergey Romanovsky
Dandini Åke Zetterström
Don Magnifico Markus Schwartz
Clorinda Mia Karlsson
Tisbe Ann-Kristin Jones
Angelina Gaia Petrone
The Göteborg Opera Male Chorus
The Göteborg Opera Orchestra

Goteborgs Operan, Gothenburg

ROSSINI: La Cenerentola

Conductor Giancarlo Andretta
Direction David Radok
Don Ramiro Sergey Romanovsky
Dandini Åke Zetterström
Don Magnifico Markus Schwartz
Clorinda Mia Karlsson
Tisbe Ann-Kristin Jones
Angelina Gaia Petrone
The Göteborg Opera Male Chorus
The Göteborg Opera Orchestra

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Press

Rossini

L'italiana in Algeri

Opera de Vichy

'Yet, all these recognised qualities [of Marina de Liso] cannot overshadow the incredible Lindoro by Sergey Romanovsky. At the last minute he replaced an American Kenneth Tarver, who was originally cast in the part of the handsome Italian but  threw in the sponge. Clearly, he was up to the challenge. The famous cavatina "Languir per una bella" fired the audience with such enthusiasm that they welcomed each of his appearances on stage. This leggero tenor is equally capable of taking high pitched notes and singing seductive falsetto, as well as descending to the low register without losing its brilliance. Having a stunning character, his Lindoro reaches far beyond the naive lover from commedia dell'arte and Isabella's suitor. Mordent and clarity of diction are important qualities of his voice, flexible and consistent. He immediately attracts the listener, because his voice emission is natural, and his agility is not limited to style exercises. But the greatest talent of this tenor from the north may be his ability  to stand out among the other performers without outclassing or overshining them.' Roland Duclos, Forum Opera, 13 September 2013

Sergey Romanovsky Recital

Moscow

"...With all of Moscow's opera and ballet theatres due soon to be on holiday until autumn, it seems an appropriate time to reflect on the best - and the worst - of what they had to offer in the season now drawing to a close. [...] Vocally, the revelation of the season was Novaya Opera's Sergey Romanovsky, whose finely tuned, light, lyric tenor graced "The Barber of Seville" and, unhappily for Moscow audiences, seems almost certain to be in great demand soon on operatic stages abroad..." The Moscow Times, July 8th 2009

Bellini

I Capuletti e i Montecchi

Moscow Easter Festival

A real surprise for the audience was Sergei Romanovsky, who has demonstrated a lovely timbre, secure high notes and all necessary prerequisites of the great belcanto tenor; after the demanding two-part aria of the first act he got an applause worthy fo of a star..." [translation] The Financial Times, 2008