Robin Tritschler

 

Introduction

Since graduating from the Royal Irish Academy of Music and the Royal Academy of Music, London, Robin Tritschler's numerous awards have included  the Song Prize at the 2nd China International Singing Competition,  the Song Prize at the Kathleen Ferrier Awards 2006, the lieder prize at the Internationaal Vocalisten Concours in ‘s-Hertogenbosch, (as well as being awarded 3rd place overall) and, most recently at the 2007 Wigmore Hall International Song Competition. Robin was a company principal with Welsh National Opera for 2008/09 where his roles included Rodrigo (Otello),  Almaviva (Il barbiere di Siviglia), Nemorino (L’elisir d’amore), Narraboth (Salome) and Marzio (Mitridate).  He will return to WNO as a guest artist for Jacquino and Belmonte. An acclaimed recitalist, he has appeared at the KlavierFest Ruhr, the Cologne  Philharmonie,  the Orivesi Music Festival, Finland; the Concertgebouw, Amsterdam; the Dublin Hugo Wolf Festival; the Aldeburgh Festival; the Temple Recital Series in Utah, USA and at the Wigmore Hall.

This is for information only and should not be reproduced. Please contact us for a full biography and for performance details.

Biography

Please contact Jonathan Turnbull for a recent biography.

Press Reviews

East Neuk Festival, 2010

'So was the young Irish tenor Robin Tritschler, whose appearances in shared programmes in Crail with soprano Katherine Broderick and pianist Malcolm Martineau were sensational.'
The Scotsman, July 6, 2010

'...with Tritschler's plangent timbre and innate feeling probing the aching rapture and disillusion of Schumann's Dichterliebe. Perceptive and musically faultless, it was a highlight not just of the festival but of the whole summer.'
Independent on Sunday, July 11, 2010

Aldeburgh Festival, 2010

'In three song cycles with guitar (played by James Boyd), the tenor Robin Tritschler proved himself more worthy of this Aldeburgh spotlight. He brought wit and lyricism to Walton's Anon in Love, with its inventive guitar writing, and found the sweetness of tone required for the highest lines of Britten's Songs from the Chinese. Ranging from quiet reminiscence to war cries,Tritschler also commanded Tippett's Songs for Achilles.'
Sunday Telegraph, July 4, 2010

Nantes Opera/ Makropoulos Case 2010

'Robin Tritschler makes a winningly boyish Janek.'
Financial Times, June 1, 2010

Welsh National Opera/ Die Entführung 2010

'Robin Tritchler’s Belmonte is a foppish Sebastian Flyte character, complete with teddy bear and ukulele. His opening aria was mellifluous and haunting, and throughout the opera his cadenzas showed flair and control within his gentle tenor.'
Opera Brittania, February 16, 2010

'Robin Tritschler sang Belmonte's arias with clean tone and true pitch, phrasing them with the easy grace that is their charm.'
Rupert Christiansen, The Telegraph, February 15, 2010

Messiah: Our Lady's Choral Society December 2009

'Robin Tritschler... was... communicative with the words, and persuasive in musical rhetoric.'
Irish Times, December 24, 2012

Britten Song Cycles, Blythburgh Church, Aldeburgh Festival - June 2009

The star of the evening was Robin Tritschler, who spun lyrical lines with stylish ease.
Irish Times- Jul 14, 2009

Tenor Robin Tritschler was the decisive star of the third of the festival's concerts of Britten's Song Cycles. Accompanied by Malcolm Martineau, his fresh, flexible sound and thoughtful characterisation made the sour vicar, humble choirmaster, wondering baby and handcuffed criminal of Britten's Thomas Hardy settings, Winter Words, spring to life.
Independent on Sunday/ Anna Picard- July 5, 2009

Welsh National Opera/ L'elisir d'amore 2009

The singing is knock-out, not least from Robin Tritschler as Nemorino standing in for the indisposed Wynne Evans. His tenor voice stole the show for me, notably with his aria, Una Furtive Lagrima.
The British Theatre Guide/ April 2009

...sweet-voiced tenor Robin Tritschler as the love-lorn Nemorino...Oxford The Times/ April 8, 2009

Repertoire

Opera Repertoire

BEETHOVEN
Fidelio (Jaquino) 

 

DONIZETTI

L’elisir d’amore (Nemorino) 

 

JANACEK

The Makropoulos Case (Janeck)

 

MOZART
Die Entführung aus dem Serail (Belmonte)

Zaide (Sultan Solimann)

Mitridate (Marzio)

 

ROSSINI
Il barbiere di Siviglia (Count Almaviva)

 

STRAUSS
Salome (Narraboth/ First Jew) 

 

VERDI
Otello (Rodrigo)

 

Concert Repertoire

BACH  
[Over 90 Cantatas]
Magnificat BWV 243
Lutherian Masses 235, 236
Mass in b minor
St John Passion - Evangelist and Arias
St Matthew Passion - Evangelist and Arias
Christmas Oratorio

 

BEETHOVEN  

Mass in C major

 

BERLIOZ    

L’Enfance du Christ Op 25

 

BRITTEN  

Canticle III Op 55
Canticle II Op 51
Saint Nicolas Op 42
Serenade for tenor, horn and strings Op 31

 

CHARPENTIER
Messe de Minuit pour Noel H9

 

DVORAK   

Mass in D major Op 86
Stabat Mater

 

FINZI    

Dies Natalis

 

GOUND 

Messe Solenelle

 

HANDEL  

Israel in Egypt HWV 54
Acis and Galatea
Dixit Dominus
Messiah

 

HAYDN   

Stabat Mater
Salve Regina g minor Hob 23b:2
Creation
Nelson Mass

 

HONEGGE  

Le Roi David

 

KVERNO    

St Matthew Passion

 

LEHAR    

Fieber

 

MOZART    

Mass in C KV 317
Mass in C KV 427
Vesperae solennes de confessore KV 339
Requiem Mass KV 626
Messiah

 

ROSSINI  

Petite Solenelle

Saint-Saëns   

Oratorio de Noel, Op 12

 

SCHUBERT  

Mass in A flat 
Mass in E flat

 

STAINER    

The Crucifixion

 

STRAVINSKY  

In memoriam Dylan Thomas Dirge - Cannons and Song

 

VAUGHAN WILLIAMS 

On Wenlock Edge

 

 

 

 

Contact

Peter Bloor

Jonathan Turnbull

General Management: Askonas Holt