Joshua Ellicott

Introduction

Lyric tenor Joshua Ellicott was born in Manchester and read music at York University before continuing his vocal studies at the Guildhall School of Music and Drama in London.   There he won a full scholarship to study on the Postgraduate Vocal Study and Opera courses.   A milestone in his thriving international career came in 2006 when he won the prestigious International Vocal Competition in 's-Hertogenbosch, The Netherlands.   As well as the First Prize he claimed a further three prizes for song, opera and finest all-round musicianship.  This puts him in a select band of previous winners which includes Thomas Hampson, Nelly Miricioiu and Sarah Connolly.

His career is now becoming as varied as it is distinguished with interests ranging from early music to contemporary repertoire and from recitals and concerts through to opera, performed with some of the finest ensembles and musicians.

Recent performances include the Evangelist (Matthew Passion) at the Boston Handel & Haydn Society with Harry Christophers, Handel's "Saul" with the Sixteen under Christophers in Versailles, the role of tenor in "Fairy Queen" with the Gabrieli Consort and Paul McCreesh, Schubert’s Eb Mass with Daniel Harding at the Saint-Denis Festival with the Orchestre Philharmonique de Radio-France, an opera gala concert with the Deutsche Kammerphilharmonie Bremen, a Handel & Bach concert with the English Concert under Harry Bicket, Shepherd and Sailor in Wagner's Tristan und Isolde with the Philharmonia Orchestra under Esa-Pekka Salonen, a staged St Matthew Passion with the Orchestra of the Age of Enlightenment, and the Mozart Requiem in Japan with Daniel Harding and the Swedish Radio Symphony Orchestra. 

Future plans include the role of Andres (“Wozzeck”) with the Philharmonia Orchestra touring to Dortmund, Berkeley, Los Angeles and New York; a Monteverdi Vespers European tour with Emmanuelle Haim; and in 2013, he makes his Royal Opera House, Covent Garden debut as Basilio in "Le Nozze di Figaro" with John Eliot Gardiner.

“Deservedly huge cheers at the end of the night went to Joshua Ellicott, who sang the daunting role of the Evangelist with musical distinction, emotional precision, and a keen dramatic urgency that made the Passion tale feel like news of a recent tragedy.”
THE BOSTON GLOBE

 

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Press

Berg

Wozzeck

Avery Fisher Hall, New York

…an inspired cast…Vital support came from Joshua Ellicott’s lyrical Andres.


Martin Bernheimer, Financial Times, 22 November 2012

Bach

St Matthew Passion

Symphony Hall, Boston

Deservedly huge cheers at the end of the night went to Joshua Ellicott, who sang the daunting role of the Evangelist with musical distinction, emotional precision, and a keen dramatic urgency that made the Passion tale feel like news of a recent tragedy.  Jeremy Eichler, The Boston Globe, 31 March 2012
Of course, there can be no ignoring the pain and cruel irony of the Passion story itself, and Joshua Ellicott as a full-throated and uncommonly melodious Evangelist gave a strong account of it… David Wright, Boston Classical Review, 31 March 2012

Bach

St Matthew Passion

Orchestra of the Age of Enlightenment

The role of the Evangelist is divided, with the outstanding Joshua Ellicott… Richard Morrison, The Times, 30 November 2011
…and Joshua Ellicott were the excellent Evangelists.

Andrew Clark, The Financial Times, 29 November 2011
Joshua Ellicott … had a strong presence and kept Bach’s wonderful story-telling vivid.

Rupert Christiansen, The Telegraph, 29 November 2011

Beethoven

Fidelio

Opera North

Joshua Ellicot's Jaquino is cleverly pitched, conversational in tone, bruised by the cuckoo in the nest.

Anna Picard, The Independent, 24 April 2011
and Joshua Ellicot sprinkled fresh youthful charm over the domestic scenes.

Rupert Christiansen, The Telegraph, 18 April 2011
Joshua Ellicott shine as the optimistic Marzelline and over-persistent Jaquino respectively.

George Hall, The Stage, 18 April 2011

Wagner

Tristan und Isolde

Philharmonia Orchestra

Joshua Ellicott's bright, edgy Sailor/Shepherd...outstanding in a strong supporting cast. 

Anna Picard, The Independent, 3 October 2010
…the young sailor and shepherd (taken by Joshua Ellicott)…rang out with crystal clarity from the sides and back of the auditorium.

Kevin Rogers, Classical Source, 26 September 2010
I was especially impressed by Joshua Ellicott’s Shepherd: quite heart-rending, as moving a rendition as I can recall.

Mark Berry, Opera Today, 27 September 2010
...and Joshua Ellicot’s sweet-toned tenor bookended proceedings as both the offstage sailor in Act I and the onstage shepherd in Act III.

Stephen Jay-Taylor, Opera Britannia, 27 September 2010
...a cliff-top for Joshua Ellicott’s look-out Shepherd (a small role, but so telling here).

Christopher Morley, Birmingham Post, 29 September 2010
...and Joshua Ellicott brilliant as both the shepherd in Act III and the young sailor in Act I.

Mark Ronan, Mark Ronan's Theatre Reviews, 26 September 2010
Joshua Ellicott did yeoman’s service with his two parts as Young Sailor/Shepherd—here’s a voice with a fine future ahead.

S. James Wegg, James Wegg Review, 10 September 2010

Recordings

St John Passion, J.S.Bach

J.S.Bach's St John Passion with the Yorkshire Baroque Soloists under Peter Seymour's direction.

“...the most telling solo work comes from Joshua Ellicott. His ‘Erwäge’ is wonderfully shaded and characterised.” 
“...as dramatically coherant and satisfying as I’ve heard for a while ... this is a St. John which carries open-hearted conviction and character before it.”
The Gramophone

Signum Classics