Joel Prieto

Introduction

Since winning first prize in Placido Domingo’s Operalia Competition in 2008, Joel Prieto has become much sought-after around the world. The Spanish-born singer, raised in Puerto Rico, is captivating audiences bringing depth and nuance to his leading roles and infusing his characters with vitality, elegance and beauty.

From 2006 to 2008, he was a member of Deutsche Oper Berlin, where his roles included Tamino/Die Zauberflöte, Tybalt/Roméo et Juliette and Arturo/Lucia di Lammermoor.  In July 2008, Joel joined Plácido Domingo for performances of Luisa Fernanda conducted by Joseph Caballé at the Theater an der Wien.  Also in 2008 he was chosen as a member of the first “Montblanc Young Singers Project” at the Salzburg Festival, where he performed in the Gala Concert with the Mozarteum Orchestra under Ivor Bolton.  Appearances since then include the Palau de les Arts, Valencia (Ferrando/Cosi fan tutte; Silvio/L’arbore de Diana; Prince Giovanni Una cosa rara), the Teatro Municipal de Santiago (Arlecchino/Pagliacci); the Grand Theatre de Luxembourg (Ferrando/Cosi fan tutte), the Liceu, Barcelona and Theatre du Capitole de Toulouse (Fenton/Falstaff), and the Salzburg Festival and Teatro Petruzzelli, Bari (Don Ottavio/Don Giovanni) and the Deutsche Staatsoper Berlin (Tamino/ Die Zauberflöte). He recently made his debuts with the Royal Opera Covent Garden (Fenton/Falstaff), Bayerische Staatsoper Munich and Washington National Opera (Ferrando/Cosi fan tutte).

Current and future plans include Belfiore/La Finta Giardiniera and Italian Singer/Der Rosenkavalier at the Deutsche Staatsoper Berlin, Don Ottavio/Don Giovanni at Houston Grand Opera, Ernesto/Don Pasquale for Opera di Roma, Nemorino/L’Elisir d’Amore in Galicia and Fenton/Falstaff and Narraboth/Salome at the Deutsche Oper Berlin.

Concert appearances include the Salzburg Festival (Mozart’s C Minor Mass and Haydn’s Stabat Mater), the Teatro de la Maestranza, Seville (Haydn's Creation), Sächsische Semperoper Dresden (Lucia di Lammermoor), and the Concertgebouw Amsterdam (Roméo et Juliette).  He has collaborated with conductors including Ivor Bolton, Adam Fischer, Fabio Luisi, Renato Palumbo, Ottavio Dantone, Yannick Nezet-Seguin, and orchestras including the Vienna Philharmonic, Mozarteum Orchestra, Concertgebouw Orchestra in Amsterdam, Dresden Semperoper Orchestra, Orchestra of Teatro Liceu in Barcelona and Orchestra of Palau de les Arts in Valencia.

In recital, he recently made a very successful London Wigmore Hall debut with Iain Burnside.


Please contact Marcus Spreitzer

 

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  • DONIZETTI: Il Duca d'Alba

Schedule

Teatro di Roma, Roma

Programme

Donizetti: Don Pasquale

Direttore: Bruno Campanella
Regia: Ruggero Cappuccio
Nicola Alaimo / Andrea Concetti
Mario Cassi / Alessandro Luongo
Joel Prieto / Paolo Fanale
Rosa Feola

Teatro di Roma, Roma

Programme

Donizetti: Don Pasquale

Direttore: Bruno Campanella
Regia: Ruggero Cappuccio
Nicola Alaimo / Andrea Concetti
Mario Cassi / Alessandro Luongo
Joel Prieto / Paolo Fanale
Rosa Feola

Teatro di Roma, Roma

Programme

Donizetti: Don Pasquale

Direttore: Bruno Campanella
Regia: Ruggero Cappuccio
Nicola Alaimo / Andrea Concetti
Mario Cassi / Alessandro Luongo
Joel Prieto / Paolo Fanale
Rosa Feola

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ARTICLES / INTERVIEWS

"15 en 15"
Click here to read the recent article of Joel featured in Domingo
Domingo / Ana Teresa Toro / 3 June 2012 

"Chanter Mozart, c'est comme faire du surf"

Interview with Joel Prieto on his role as Fenton in the Toulouse Opera's production of Falstaff
ClassicToulouse.com / December 2012
Click here to read interview

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Press

Mozart

Don Giovanni / January 2013

Houston Grand Opera

"Although Don Ottavio is given two of the most demanding tenor arias in all of opera, young Puerto Rican tenor Joel Prieto glides through them with amazing breath control and sweet, sweet tone. The character is a real puppy dog, content to wait until Anna comes around, and not fully believing that a nobleman such as Giovanni could be the beast she accuses him of being. Prieto's plangent singing conveys innocence and a young man's ardor, managing to make whipped Ottavio fully rounded and almost believable."

Houston Press January 28, 2013
"Joel Prieto's bright and illustrious tenor instrument is perfectly employed in his portrayal of Don Ottavio."


Opera.broadwayworld.com January 27, 2013
"Joel Prieto's HGO debut proves persuasive in portraying Don Ottavio. His voice was perfectly that of a faithful young lover: sweet, clear, and forceful."

http://houston.culturemap.com January 26, 2013.
"Joel Prieto sang with grace and fluency as Anna's sweetheart, Don Ottavio."


Houston Chronicle January 28, 2013
"Don Ottavio sung with precise enunciation and clarity by Joel Prieto."


artandhockey.com January 28, 2013
"Joel Prieto's bright and illustrious tenor instrument is perfectly employed in his portrayal of Don Ottavio. He is beguiling but charmless as he constantly seeks to right the world for his betrothed without really ever stopping to consider her feelings. Joel Prieto boldly sings and brings insensitive arrogance to striking life in his portrayal of Don Ottavio." David Clarke / BWW / 27 January 2013

Mozart

La finta Gardiniera / November 2012

Deutsche Staatsoper im Schillertheater Berlin

"Ein Mozartsches Traumpaar bilden Annette Dasch, mit betörenden Piani, und der Tenor Joel Prieto mit ungemeiner Bandbreite an stimmlichen und darstellerischen Ausdrucksmitteln."

Neue Musikzeitung- November 25, 2012
"den tollen Tenorhelden (ebenfalls glänzend: Joel Prieto, in der Partie des Belfiore)"
Frankfurter Allgemeinen - November 25, 2012

"Sehr gut Joel Prieto als Belfiore."


Kultur Radio- November 26, 2012
"Dem Contino Belfiore verleiht Joel Prieto Don-Ottaviohafte Züge, schenkt ihm aber auch seinen lyrischen Schmelz."

Dreh Punkt Kultur - November 26, 2012
"Joel Prieto schafft noch einen glänzenden Abgang."


Berliner Zeitung - November 26, 2012
"Tenorpartner Joel Prieto (Belfiore), der sich mit mancher Verzierung etwas schwerer tat, überzeugte mit seinem klangschönen, lyrischem Tenor."

Capriccio Kulturforum - November 25, 2012