Tatiana Pavlovskaya


Tatiana Pavlovskaya began her musical education playing the piano, and later as a choral director. She completed a post-graduate study in St. Petersburg’s State Rimsky-Korsakov Conservatory and taught solo singing as a professor’s assistant. After graduating from the conservatory in 1994 she joined the Mariinsky Theatre, where she had a great success in her debut as Tatiana in "Eugene Onegin". Tatiana Pavlovskaya currently holds the position of Honored Artist of Russia at the Mariinsky Theatre.

Tatiana Pavlovskaya has appeared in a gala concert with Plácido Domingo with the London Philharmonic Orchestra under the baton of Valery Gergiev. She has also worked on the operatic stage with Plácido Domingo, Jose Carreras, Paata Burtchuladze among others. Tatiana Pavlovskaya’s discography includes the labels: Philips, DECCA, Frankfurt Opera, WDR, Mariinsky, Glyndebourne, Deutsche Grammophon and others.

The 2016/17 season and beyond sees Tatiana singing War Requiem for the Bratislava International Music Festival with conductor James Conlon.

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Opera repertoire includes:

BARTOK - Duke Bluebeard's Castle, Judith

BEETHOVEN - Falstaff, Alice

BRITTEN - The Turn of Screw, Governess

DVORAK - Rusalka, Foreign Princess

JANACEK - Jenufa, title role

KORNGOLD - Die Tote Stadt, Marie + Marietta

GLINKA - Ruslan und Lyudmila, Gorislava

MOZART - Don Giovanni, Donna Elvira

MOZART - Cosi fan tutte, Fiordiligi

MOZART - La Clamenza di Tito, Vitellia

PROKOFIEV - Betrothal in a Monastery, Clara

PROKOFIEV - The Gambler, Paulina

PROKOFIEV - Semyon Kotko, Sofia

PROKOFIEV - War and Peace, Natasha Rostova

RIMSKY-KORSAKOV - The Snow Maiden, Kupava

RIMSKY-KORSAKOV - The Maid of Pskov, Olga

RIMSKY-KORSAKOV - Sadko, Volkhova

RUBINSTEIN - The Demon, Tamara

SHOSTAKOVITCH - Lady Macbeth of Mtsensk, Katerina Ismailova

R. STRAUSS - Frau Ohne Schatten, Kayzerin

TCHAIKOVKSY - The Enchantress, Nastasya

TCHAIKOVSKY - Eugene Onegin, Tatiana

TCHAIKOVSKY - Mazeppa, Maria

TCHAIKOVSKY - Pique Dame, Lisa

VERDI - Don Carlo, Elisabetta

VERDI - Otello, Desdemona

WAGNER - Lohengrin, Elsa

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War Requiem

Boston Symphony Orchestra

"The Russian soprano Tatiana Pavlovskaya has become in recent years an established figure in the international opera world. Her mastery of the major Russian operatic heroines is secure. The classic dramatic soprano roles of European opera are also in her repertoire...The voice is big, very big. Not until the Lacrimosa section of the Dies irae did she win me over. Her pianissimo there was golden, touched with velvet and deeply in touch with both Britten and Verdi (whom Britten references here and in a number of other places in the Requiem). At that point I was converted. The fire we heard earlier, and later, was put in context. And I must say that her Latin pronunciation is worlds better than Vishnevskaya’s..." Donald Teeters, Classical-scene.com, 8 November 2013
"Soprano Tatiana Pavlovskaya, whose steely entrances in the “Liber scriptus” and opening of the “Sanctus” were balanced with the dulcet fervency of her account of the “Lacrimosa.” Jonathan Blumhofer, The Arts Fuse, 11 November 2013

Rusalka - Foreign Princess

Glyndebourne Festival Opera

"Tatiana Pavlovskaya is strikingly glamorous in the short but horribly testing part of the Foreign Princess."

The Telegraph, July 2009