Sumi Jo

Introduction

Known for her thrilling coloratura soprano voice, Sumi Jo is one of the great singers of her generation. Her repertoire consists of most of the well known coloratura parts including 'Lucia di Lammermoor', 'I Puritani', 'La Sonnambula' and in particular her famous interpretations of Zerbinetta in 'Ariadne auf Naxos' and the Queen of the Night in 'Die Zauberflote' - roles she has performed with many of the world's great conductors. 

Sumi has appeared at the world's famous opera houses, including the Metropolitan Opera, Opera National de Paris, Washington Opera, Deutsche Oper Berlin, and Hamburg State Opera. She has worked with such famous maestri as Sir Georg Solti, James Levine, Zubin Mehta, Herbert von Karajan, Kent Nagano and others. Sumi Jo records exclusively for Warner Classics. 

In the 10/11 season Sumi's engagements included Juliette in Romeo et Juliette at Teatro Municipal de Rio de Janeiro, Fiorilla in Il turco in Italia for Hamburg State Opera, Rosina in Il Barbiere di Siviglia at Opera Royal de Wallonie in Liege, a concert tour of Asia with the Academy of Ancient Music and gala concerts with the Hong Kong Philharmonic Orchestra and for the opening of the Asia Olympic Games ceremony in Kazakhstan. Other recent concert appearances include with the Hong Kong Philharmonic Orchestra, Shanghai Symphony Orchestra, Western Australia Symphony Orchestra, China Philharmonic Orchestra, a concert tour of Asia with the Academy of Ancient Music, as well as concerts at the Smetanova Litomysl Festival, with the Russian National Orchestra and for the opening ceremony of the Asia Olympic Games in Kazakhstan. Sumi Jo also recently gave a recital at the Roy Thomson Hall in Toronto.

Engagements in the 11/12 season and beyond included Madame Mao in Nixon in China at the Chatelet Thetre Paris, Marie in La Fille du Regiment for Hamburg State Opera, as well as concerts at the Beijing Music Festival and a recital at the Opera du Rhin in Strasbourg. Engagements in the 12/13 season and beyond include concert appearances at the Beijing Music Festival, recitals at the Chatelet Theatre Paris and in Moscow, Fiakermilli in Arabella at Hamburg State Opera, a concert tour of Australia, a concert tour of Asia, as well as numerous gala and concert appearances.

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Repertoire

Operatic Repertoire

Ambroise Thomas - Hamlet, Ophelie 
BELLINI - I Capuleti e i Montecchi, Giulietta
BELLINI - I Puritani, Elvira
BELLINI - La Sonnambula, Amina
DONIZETTI - Don Pasquale, Norina
DONIZETTI - Lucia di Lammermoor, Lucia
MOZART - Die Zauberflote, Konigen
MOZART - Lucio Silla, Giunia 
POULENC - Les Dialogues des Carmelites, Constance 
RIMSKY-KORSAKOV - Le Coq d'Or, Shemakha
ROSSINI - Il Barbiere di Siviglia, Rosina
ROSSINI - Il Turco in Italia, Fiorella
ROSSINI - Le Comte Ory, Adele
STRAUSS - Ariadne auf Naxos, Zerbinetta
STRAUSS - Der Rosenkavalier, Sophie
VERDI - Rigoletto, Gilda
VERDI - Un ballo in maschera, Oscar
  

Concert repertoire

BRAHMS - Requiem 
MAHLER - Symphony number 4 
MOZART - Concert arias: various/all very high ones 
MOZART - Mass in C minor, K. 427 
ORFF - Carmina Burana 
STRAUSS - Songs with Orchestra

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  • MECANO Song of the Moon

Schedule

Chatelet Theatre, Paris

Sumi Jo gives a recital at the Chatelet Theatre in Paris, accompanied by Jeff Cohen at the piano.


Programme

RECITAL

Sumi Jo - soprano

Jeff Cohen - piano

Programme to include music by Bach, Faure and Mahler.

MISA pavilion, Shanghai

Sumi Jo gives a solo gala concert with Shanghai Symphony Orchestra, conducted by Long Yu as part of the MISA international festival in Shanghai.

Programme

GALA CONCERT

Soprano - Sumi Jo

Shanghai Symphony Orchestra

Conductor - Long Yu


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Press

Nixon in China - Madame Mao

Chatelet Theatre

Nixon in China, Madame Mao - Chatelet Theatre
"rigorously executed and superbly acted...Sumi Jo’s Madame Mao patrols her space and fires off the top notes."

Financial Times, April 2012

Recital

Roy Thompson Hall

"Jo is a coloratura. Her appearance on Friday was very much an evening of high-flying pyrotechnic display, whether baroque or buffo. One showpiece followed another. And another.
A lesser singer would have bored us silly with all this brilliance and accuracy, but Jo is expert enough at shading notes and shaping phrases to keep the skeptical ear engaged. Charles Gounod’s Sérénade was particularly rich compendium of smartly rolled trills and lines given just the right (and natural) bend of vibrato.
She could sing with pathos, too, in O quante volte from Bellini’s I Capuleti e i Montecchi. Two Korean items brought out a dramatic heft not normally equated with coloraturas. The two final numbers, the Doll Song from The Tales of Hoffmann (Offenbach) and Sempre libera from La Traviata (Verdi), offered a striking illustration of Jo’s capacity to darken her voice on demand..."


Washington National Post, April 2011