Sophie Daneman

Introduction

Sophie Daneman is particularly noted for performances of the Baroque repertoire and especially her regular collaboration with Les Arts Florissants and William Christie. Among their many recordings together, three have been recent recipients of Gramophone Awards. Sophie has sung the title role in ‘Semele’ with Nicholas McGegan, Handel’s ‘L’Allegro’ with William Christie, ‘Dido and Aeneas’ for the Bavarian State Opera,  her first Susanna for Grange Park Opera and Handel's Cleopatra in Goettingen. She performed the role of Telaire (‘Castor et Pollux’) with Sir John Eliot Gardiner at the Salle Pleyel, Paris, returned to the Göttingen Handel Festival as Dalila (Handel's ‘Samson’), sang ‘Skellig’ (by Tod Machover) at The Sage, Gateshead, Haydn's ‘The Creation’ with the St Paul Chamber Orchestra and McGegan, Haydn’s ‘Stabat Mater’ with Fabio Biondi and Phaedra (Rameau’s ‘Hippolyte et Aricie’) for the Nationale Reisopera. Engagements include a recital tour with Christianne Stotijn in Spain and the Netherlands, recitals with Ian Bostridge in London and Hohenems, performances of Shoenberg’s Quartet Op. 10 with the Tokyo String Quartet in Valencia and Madrid, and a tour of Lully’s ‘Atys’ with Les Arts Florissants and William Christie. This season Sophie embarks on her first projects as stage director with Le jardin des voix.

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News & Features

Repertoire

BERNSTEIN  
Wonderful Town  (Eileen Sherwood)

DEBUSSY  Pelléas et Mélisande  (Melisande)

HANDEL  
Acis and Galatea  (Galatea)
Arianna in Creta  (Arianna)
Giulio Cesare (Cleopatra)
Rodelinda (Rodelinda)
Semele (Semele)
Theodora (Theodora)

HAYDN  
L’Anima del Filosofo (Euridice)

MONTEVERDI 
L’Orfeo (Euridice)

MOZART  
La clemenza di Tito  (Servilia)
Le nozze di Figaro  (Susanna)

PURCELL  
Dido and Aeneas (Belinda)

RAMEAU  
Hippolyte et Aricie (Phedre)

VIVALDI  
Ottone in Villa (Tullia)

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Press

Old and New Elizabethans, December 2012

Wigmore Hall

Daneman relished the interplay of rhyme and rhythm, caressing her Cradle Song... [and the] Four songs by Ivor Gurney were the musical high point of the evening, with Daneman’s Orpheus with his lute and Sleep, sung in her gentle, tremulous vibrato, by far the most eloquent performances of the entire concert. Hilary Finch, The Times

Wigmore Hall Live CD: Venus and Adonis

Elizabeth Kenny, Roderick Williams

Sophie Daneman and Roderick Williams make a sensuous pair of lovers. The Guardian
Sophie Daneman is a languid Venus and Roderick Williams is an ardent Adonis. Classic FM Magazine
...Sophie Daneman is outstanding as Venus, both in the careless comic moments and in the magnificent final lament...the Theatre of the Ayre turns in a highly impressive performance, by turns subtle and powerful, rhythmically slick and very well balanced. Gramophone Magazine

Le Jardin des Voix

Brooklyn Academy of Music

The excerpts from 10 works — 8 by Lully, one each by Michel Lambert (whose daughter Madeline married Lully) and Marc-Antoine Charpentier — were performed without pause and flowed gracefully, thanks to witty touches and stage direction by Paul Agnew and Sophie Daneman. Vivien Schweitzer, New York Times

Recordings