Scottish soprano Lisa Milne studied at the Royal Scottish Academy of Music and Drama.
Her recent engagements have included Mahler's Symphony no. 4 with the New York and Vienna Philharmonic Orchestras and Harding, Elijah with the Royal Scottish National Orchestra and Sir Andrew Davis, Beethoven's Symphony no. 9 at the Verbier Festival with Dutoit and also with the Budapest Festival Orchestra and Fischer; Brahms' Ein Deutsches Requiem with the BBC Scottish Symphony Orchestra and Runnicles, Fidelio with the Boston Symphony Orchestra and Levine and with the Rotterdam Philharmonic Orchestra and Gergiev, Die Schöpfung with the Berlin Philharmonic Orchestra and Rattle and Haydn's Die Sieben Letzten Worte Unseres Erlösers Am Kreuze with the London Philharmonic Orchestra and Jurowski.
Highlights on the stage include Pamina Die Zauberflöte and Susanna Le nozze di Figaro for the Metropolitan Opera; Pamina, Marzelline Fidelio, Micäela Carmen and the title roles in Rodelinda and Theodora for the Glyndebourne Festival and Countess Almaviva Le nozze di Figaro and the title role in Alcina for the English National Opera. At the Welsh National Opera she has sung Leonore Fidelio and she created the role of Sian in the world premiere of James MacMillan’s opera The Sacrifice. A regular guest at Scottish Opera, her roles for the company have included the title role in Semele, Donna Elvira Don Giovanni, Susanna, Ilia Idomeno and Adina L’Elisir d’Amore.
A renowned recitalist, she has appeared at the Aix-en-Provence and City of London Festivals; the Usher Hall in Edinburgh; the Oxford Lieder Festival; the Palais des Beaux Arts in Brussels and at the Schumannfeste in Dusseldorf. She is a regular guest at London’s Wigmore Hall.
Please contact Keiron Cooke for a full biography.