Lisa Milne

Introduction

Scottish soprano Lisa Milne studied at the Royal Scottish Academy of Music and Drama.

On the concert platform, recent highlights have included Fidelio with the Boston Symphony Orchestra and Levine and with the Rotterdam Philharmonic Orchestra and Gergiev, Die Schöpfung with the Berlin Philharmonic Orchestra and Rattle; Beethoven's Symphony no. 9 with the Budapest Festival Orchestra and Fischer, Haydn's Die Sieben Letzten Worte Unseres Erlösers Am Kreuze with the London Philharmonic Orchestra and Jurowski, Brahms' Ein Deutsches Requiem with the BBC Scottish Symphony Orchestra and Runnicles and Mahler's Symphony no. 4 with the New York and Vienna Philharmonic Orchestras with Harding.

Upcoming engagements include Elijah with the Royal Scottish National Orchestra and Sir Andrew Davis, Schumann's Faust-Szenen with the Leipzig Gewandhausorchester and Daniel Harding, Vaughan Williams A Sea Symphony with the Deutsches Symphonie-Orchester Berlin and Sir Roger Norrington and Beethoven's Symphony no. 9 at the Verbier Festival with Charles Dutoit and at the BBC Proms with Vasily Petrenko.

In opera she has appeared at the Metropolitan Opera, New York as Pamina Die Zauberflöte and Susanna Le nozze di Figaro and, at the Glyndebourne Festival, her roles have included Pamina, the title roles in Rodelinda and Theodora, Marzelline Fidelio and Micäela Carmen.

At the English National Opera she has sung Countess Almaviva Le nozze di Figaro, the title role in Alcina and Anne Trulove The Rake’s Progress. At the Welsh National Opera she has sung Leonore Fidelio and she created the role of Sian in the world premiere of James MacMillan’s opera The Sacrifice. For Scottish Opera she has sung the title role in Semele, Adina L’Elisir d’Amore, Zerlina Don Giovanni, Susanna, Ilia Idomeno and Despina Così fan tutte.

A renowned recitalist, she has appeared at the Aix-en-Provence and City of London Festivals; the Usher Hall in Edinburgh; the Oxford Lieder Festival; the Palais des Beaux Arts in Brussels and at the Schumannfeste in Dusseldorf. She is a regular guest at London’s Wigmore Hall.


Please contact Keiron Cooke for an up-to-date biography.

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Repertoire

BEETHOVEN
Fidelio - Marzelline
Symphony No. 9

BERG
Sieben Frühe Lieder

BERNSTEIN
Symphony No. 1

BRAHMS
Ein Deutsches Requiem

BRITTEN
The Rape of Lucretia - Female Chorus
The Turn of the Screw - Governess
Les Illuminations 
On This Island 
Our Hunting Fathers
Peter Grimes - Ellen Orford 

BRUCKNER
Mass in F Minor

BIZET
Carmen - Micaela

CANTELOUBE
Chants d'Auvergne

DONIZETTI
L’Elisir d’Amore - Adina

DVORAK
Requiem

ELGAR
The Apostles 
The Kingdom

FAURE
Requiem

GLUCK
Orfeo - Euridice

HANDEL
Alcina - Alcina
Arianna in Creta - Alceste
La Resurrezione
Messiah 
Rodelinda - Rodelinda
Saul - Merab
Semele - Semele
Theodora - Theodora
Xerxes - Romilda

HAYDN
Die Schopfung
Die Sieben letzten Worte des Erlösers am Kreuze
Scena di Berenice

SIMON HOLT
Sunrise' yellow noise
The Yellow Walpaper 

HUMPERDINCK
Hansel und Gretel - Gretel

JAMES MACMILLAN
Parthenogenesis  
The Sacrifice - Sian 

MAHLER
Symphony No. 2 
Symphony No. 4
Symphony No. 8 (Una ponitentium)

MENDELSSOHN
Elijah 
Paulus

MESSIAN
Poèmes pour Mi 

MOZART
Ah, lo previdi
Bella mia fiamma
Coronation Mass
Cosi fan Tutte - Despina
Die Zauberflöte - Pamina
Don Giovanni - Donna Elvira
Exsultate Jubilate 
Idomeneo - Ilia
La clemenza di Tito - Vitellia
Le nozze di Figaro - Contessa
Mass in C minor - Soprano 2
Misera, dove son
Requiem
Vesperae Solennes

THEA MUSGRAVE
Songs for a Winter's Evening
Turbulent Landscapes 

SCHUMANN
Scenes from Faust

STRAVINSKY
The Rake's Progress - Anne Trulove

STRAUSS
Allerseelen
Befreit
Cäcilie
Freundliche Vision
Morgen
Der Rosemkavalier - Marschallin
Vier Letzte Lieder
Zueignung

VAUGHAN WILLIAMS
Donna Nobis Pacem
Symphony No. 1 'A Sea Symphony' 
Symphony No. 3 'Pastoral' 
Serenade to Music

VILLA LOBOS
Bachianas Brasileiras

WEBER
Der Freischuetz - Aennchen

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Audio

Schedule

Dome, Brighton

Programme

Mozart: Mass in C Minor


Susan Gritton - soprano 1
Lisa Milne - soprano 2
Robert Murray - tenor
Henk Neven - baritone

Britten Sinfonia / Thierry Fischer

Comba, Verbier

Programme

Lera Auerbach: In Praise of Peace (World Premiere)
Beethoven: Symphony no.9

Lisa Milne (soprano)
Lily Paasikivi (mezzo)
Pavol Breslik (tenor)
Matthew Rose (bass)

Verbier Festival Chamber Orchestra / Dutoit

Comba, Verbier

Programme

Schubert: Mass no. 6 in E Flat

Lisa Milne (soprano)
Lily Paasikivi (mezzo)
Pavol Breslik (tenor)
Marco Jentzsch (tenor)
Matthew Rose (bass)

Verbier Festival Chamber Orchestra / Christian Zacharias

Royal Albert Hall, London

Programme

Beethoven: Symphony no. 9


Lisa Milne - soprano
Jennifer Johnston - mezzo-soprano
Andrew Kennedy - tenor
Gerald Finley - baritone

National Youth Orchestra of Great Britain / Vasily Petrenko

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Théâtre du Châtelet

Bravo à la Nettie bonne fille de Lisa Milne. Jean-Charles Hoffelé, Concert Classic, 20 March 2013

Sullivan

The Yeoman of the Guard

BBC Concert Orchestra/Glover at the BBC Proms

Lisa Milne's Elsie Maynard cleanly and touchingly sung. George Hall, The Guardian, 20 August 2012
Mark Stone, who has a baritone voice of satin, was a terrifically fun Jack Point and together with the superb Lisa Milne as Elsie, they did quite a bit of scene stealing. It was a hilarious paring of two singers whom I’m already a great fan of. Stone’s patter song was a tour de force and Milne’s beautiful rendition of Though tear and long-drawn sigh was stunning. Their parting duet at the end was so touchingly delivered. Melinda Hughes, Spear's, 20 August 2012

Britten

Our Hunting Fathers

CBSO/Manze

Lisa Milne was the engaging soloist, communicatively clear in her feeling for the text, her arresting virtuosity addressing the wide-ranging vocal line with spectacular success, and making light of Britten’s experimental demands upon the voice… Christopher Morley, The Birmingham Post, 25 May 2012

Mahler

Symphony no. 4

Utah Symphony Orchestra/Fischer

Lisa Milne, the soloist, gave a radiant and captivating performance...she is an undeniably powerful singer who uses phrasing and vocal color to expert effect. Her delivery of the quiet final verse was magnetic. Catherine Reese Newton, The Salt Lake Tribune, 06 April 2012

Canteloube

Songs of the Auvergne

RSNO/Gabel

Canteloube’s 'Songs of the Auvergne' is one of the most popular song cycles in the repertoire and with the beautiful voice of Scottish soprano Lisa Milne performing them they become something very special. She chose eight songs from the cycle, beginning with the most famous, Baïlèro. Milne sang with a rich yet soft texture that was totally beguiling and despite the large orchestration brought out the intimacy of the song as the young shepherdess sings to her lover.  The Trois Bourrées were sung with animation and with real sparkle in Milne’s eyes. She produced lively interpretations singing with imagination and was beautifully accompanied by the solo oboe and clarinet. The remaining songs – all love songs and full of yearning – were beautifully sung and delivered with verve. Milne brought the songs to life, acting the role as the lovelorn shepherdess, whilst the orchestra played with such empathy as to evoke the smell of the French country air. Peter Rutterford, Perthshire Advertiser, 02 March 2012

Mahler

Symphony no. 4

New York Philharmonic Orchestra/Harding

And with the fine young soprano Lisa Milne as an animated and beguiling vocal soloist, Mahler’s portrait of heaven, as reported by an angel, worked its magic. Anthony Tommasini, New York Times, 04 March 2011

Brahms

Ein Deutsches Requiem

BBC Scottish Symphony Orchestra/Runnicles

…the poised intensity of soprano Lisa Milne... Kenneth Walton, The Scotsman, 13 February 2011
Lisa Milne was the rapturous soprano soloist in her 'comforting' aria; one felt a real emotional connection to the text... Ivan Hewett, The Telegraph, 11 February 2011
Lisa Milne made light of its taxing soprano solo. Sandy Scott, The Scotsman, 14 February 2011
Lisa Milne soared swiftly in the soprano solo. Andrew Clark, Financial Times, 13 February 2011

MacMillan

The Sacrifice

Orchestra of the Welsh National Opera/Negus (Chandos CD, 2010)

…a set of performances of the highest calibre.  Without exception, the singing is outstanding.  Lisa Milne sings Sian with the constrained passion and tortured resolve that are fundamental to the role. Christopher Ballantine, Opera, May 2010

Recordings