Dorothea Röschmann

Introduction

Dorothea Röschmann is one of the most admired singers of her generation.

Her many roles at the Salzburg Festival include Susanna, Countess Almaviva, Ilia, Donna Elvira, Pamina and Vitellia. At the Metropolitan Opera she has sung Susanna, Pamina, Donna Elvira and Ilia and, at Covent Garden, her roles have included Pamina, Fiordiligi and Countess Almaviva. At La Scala, Milan she has sung Countess Almaviva as well as Donna Elvira with the company on tour to Moscow at the Bolshoi. At the Vienna Staatsoper she has sung Susanna as well as Countess Almaviva and at the Deutsche Staatsoper she has sung Ännchen, Pamina, Fiordiligi, Donna Elvira, Susanna, Micäela, Eva and Elsa.

This season she sings the Marschallin at the Deutsche Staatsoper, Berlin with Sir Simon Rattle and Countess Almaviva in staged performances of Le nozze di Figaro with the Los Angeles Philharmonic Orchestra and Gustavo Dudamel. Her future plans include returns to the Bayerische Staatsoper in Munich, Covent Garden and the Vienna State Opera. 

Her recent concert appearances have included the Berlin Philharmonic with Rattle and Haitink, the Vienna Philharmonic Orchestra with Boulez, Harnoncourt and Barenboim, the Chicago Symphony Orchestra with Barenboim, the Munich Philharmonic with Levine, the Cleveland Orchestra with Welser-Möst, the Vienna Symphony Orchestra with Prêtre, the Orchestra Filarmonica della Scala with Steinberg and Barenboim, the Rotterdam Philharmonic with Nézet-Séguin, the Bayerischer Rundfunk with Harding, and the New York Philharmonic with Sir Colin Davis.

Forthcoming concert engagements include the New York Philharmonic with Alan Gilbert, the Berlin Philharmonic with Nikolaus Harnoncourt., the Rotterdam Philharmonic Orchestra with Yannick Nézet-Séguin, and the Orchestra Filarmonica della Scala with Daniel Harding.

Her recital appearances include Antwerp, Lisbon, Madrid, Cologne, Brussels, New York, London, Vienna, the Amsterdam Concertgebouw and the Edinburgh, Munich, Schwetzingen and Schwarzenberg Festivals.


For an up-to-date biography, please contact Gavin Bates

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Schedule

Walt Disney Concert Hall, Los Angeles

Programme

Mozart: Le nozze di Figaro 

Christopher Maltman, Count Almaviva
Dorothea Röschmann, Countess Almaviva
Malin Christensson, Susanna
Ann Murray, Marcellina

Los Angeles Philharmonic / Gustavo Dudamel

Christopher Alden, director
Jean Nouvel, architect
Azzedine Alaïa, designer

Walt Disney Concert Hall, Los Angeles

Programme

Mozart: Le nozze di Figaro 

Christopher Maltman, Count Almaviva
Dorothea Röschmann, Countess Almaviva
Malin Christensson, Susanna
Ann Murray, Marcellina

Los Angeles Philharmonic / Gustavo Dudamel

Christopher Alden, director
Jean Nouvel, architect
Azzedine Alaïa, designer

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Press

MOZART: LE NOZZE DI FIGARO

Walt Disney Concert Hall

In two great arias, Mozart makes it easy for any competent soprano to portray the Countess as a sympathetic wronged woman. Röschmann went deeper. The great Countess of our time, she was here a formidable figure of magnificence. Mark Swed, LA Times, 20 May 2013

Recital - April 2013

Wigmore Hall, London

Röschmann's Rückert Lieder, meanwhile proved intensely spiritual rather than world-weary or nostalgic. Her voice, breathtakingly beautiful, climbed ecstatically towards its encounter with God in Um Mitternacht, and seemed to float away peacefully from the Earth at the end of Ich bin der Welt adhanden gekommen. Tim Ashley, The Guardian, 9 April 2013

Recital - January 2013

Carnegie Hall, New York

Sublimity is a term that should never be used lightly. Still, it was unavoidable in the best moments — and there were plenty — of a recital that the German soprano Dorothea Röschmann presented at Zankel Hall on Wednesday evening.
A passage near the start of “Kennst Du das Land” (“Do You Know the Land”) offered one of the evening’s loveliest moments when Ms. Röschmann dipped into her wine-dark lower range, as when a bright clarinet suddenly reveals its sumptuous chalumeau register.
A lingering roar of approval prompted two encores. Steve Smith, The New York Times, 24 January 2013

Le nozze di Figaro - March 2012

Teatro alla Scala, Milan

Her 'Dove sono' was sung with infinite tenderness and yearning Teatro.org, 26 March 2012
The Countess Almaviva of Dorothea Röschmann, particularly effective in 'Dove sono', was greatly applauded Pierluigi Panza, Corriere della Sera, 24 March 2012
There were well deserved cheers for the Countess of Dorothea Röschmann Pierachille Dolfini, Avvenire, 25 March 2012
The cast was worthy of the great Milan tradition: the class of Dorothea Röschmann.. Enrico Girardi, Corriere della Sera, 27 March 2012

Don Giovanni – August 2011

Salzburg Festival

Dorothea Röschmann ist eine in jeder Hinsicht überzeugende Donna Elvira Gert Korentschnig, Kurier, 19 August 2011
Auf der Suche nach der neuen, dramatischen, dennoch gut kontrollierten Stimme hat die Röschmann endlich ihr Ziel erreicht. Markus Thiel, Merkur Online, 19 August 2011
Währenddessen wird die Donna Elvira von Dorothea Röschmann zur zentralen tragischen Figur der Inszenierung, wenn sie mit ihrer reifen Stimme eine Rollenstudie von verzweifelter Dramatik bietet. Daniel Ender, Der Standard, 19 August 2011

Recordings

Verdi: Aida

Christina Gallardo-Domâs, Vincenzo La Scola, Olga Borodina
Thomas Hampson, Laszló Polgár

Vienna Philharmonic Orchestra/Nikolaus Harnoncourt
Teldec