Jennifer Johnston

Introduction

The young dramatic mezzo-soprano is a BBC New Generation Artist, and was named by BBC Music Magazine as a Rising Star, and the Financial Times as the ‘Face to Watch in Opera’. She is the recipient of numerous awards including Second Prize in the Montserrat Caballé International Singing Competition, two Susan Chilcott Scholarships and a Wingate Scholarship.

Jennifer's engagements in 2012-3 season include Götterdämmerung at the Bayerische Staatsoper and at the Munich Festival; Birtwistle's Gawain at Salzburg Festival, Oedipus Rex with the LSO for Sir John Eliot Gardiner’s 70th Birthday in London and Paris, her debut at New York’s Carnegie Hall of Beethoven’s Missa Solemnis and Symphony No 9 with Sir John Eliot Gardiner as part of a major tour of the US and Europe, Act 3 of Die Walküre in concert with the Philharmonia and Sir Andrew Davis; Die Zauberflöte with Harding and the Swedish Radio Symphony at the Baltic Sea Festival; Paukenmesse (BBCSSO/Labadie), Handel’s Messiah (RLPO/Cummings), Britten’s Spring Symphony (BBCNOW/Atherton), Beethoven’s Symphony No 9 (BSO/Karabits), Bach’s B Minor Mass (Northern Sinfonia), Britten's Phaedra / Haydn's Arianna a Naxos (Gamba/Ulster Orchestra live on Radio 3) and her solo recital debut at the Wigmore Hall with Joseph Middleton broadcast live on BBC Radio 3. She will twice appear at the BBC Proms: in Beethoven 9 with Petrenko and the NYO, and will give the world premiere of Anthony Payne's arrangement of Vaughan Williams Four Last Songs with Vanska and the BBC Symphony Orchestra.

Please contact Paul Meyer for a current biography. 

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News & Features

Repertoire

OPERA 

BARTOK
Judith (Bluebeard's Castle)

BERLIOZ
Didon/Cassandre (Les Troyens), Marguerite (La Damnation de Faust)

BIRTWISTLE
Lady de Hautdesert (Gawain and the Green Knight)

BRITTEN
Mrs Herring (Albert Herring), 
Lucretia (The Rape of Lucretia)

HANDEL
Title Role (Agrippina)

HUMPERDINCK
Witch / Mother (Hansel und Gretel)

JANACEK
Kostelnicka (Jenufa), Kabanicha (Katya Kabanova) [UNDER PREPARATION]

KORNGOLD
Brigitta (Die Tote Stadt) [UNDER PREPARATION]

NICOLAI
Meg Page (Merry Wives of Windsor)

PUCCINI
Suzuki (Madama Butterfly), 
La Principessa (Suor Angelica)

PURCELL
Dido/Sorceress (Dido and Aeneas)

ROSSINI
Hedwige (William Tell)

SAINT-SAENS
Dalila (Samson et Dalila)

STRAVINSKY
Jocasta (Oedipus Rex), 
Baba the Turk (The Rake's Progress)

WAGNER
Fricka (Das Rheingold, Die Walkure), 
Wellgunde (Das Rheingold, Gotterdammerung), 
Waltraute (Die Walkure, Gotterdammerung), 
Second Norn (Gotterdammerung), 
Brangaene (Tristan und Isolde), 
Magdalena (Die Meistersinger)


CONCERT

Bach
St Matthew Passion, St John Passion,
B Minor Mass, Christmas Oratorio

Berg
Seven Early Songs

Beethoven
Symphony No 9, Missa Solemnis

Berlioz
L'Enfance du Christ, Le Mort de Cleopatre, Les Nuits d'ete

Brahms
Alto Rhapsody

Britten
Phaedra, Spring Symphony, 
A Charm of Lullabies

Durufle
Requiem

Dvorak
Stabat Mater, Requiem

Elgar
The Dream of Gerontius, Sea Pictures, The Kingdom, The Apostles, 
Coronation Ode

Handel
Messiah

Haydn
Arianna a Naxos, Nelson Mass, Paukenmesse

Mahler
Symphonies 2, 3 and 8, 
Das Lied von der Erde, 
Ruckert Lieder

Mendelssohn
Elijah

Mozart
Requiem, Solemn Vespers, 
Coronation Mass

Respighi
Il Tramonto

Rossini
Petite Messe Sollenelle, Stabat Mater

Stravinsky
Pulcinella, Oedipus Rex

Vaughan Williams
Four Last Songs

Verdi
Messa di Requiem

Wagner
Wesendonck Lieder

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Video

  • WAGNER
    Documentary: Opera North

Audio

Schedule

Royal Festival Hall, London

Programme

Wagner Anniversary Concert


WAGNER: Overture, Die Meistersinger von Nürnberg
WAGNER: Prelude & Liebestod from Tristan und Isolde
Interval
WAGNER: Die Walküre, Act 3
(semi-staged performance in German with English surtitles)

Philharmonia Orchestra London
Sir Andrew Davis (conductor)
Jennifer Johnston

Royal Festival Hall, London

Christopher Warren-Green conductor
Katherine Broderick soprano
Jennifer Johnston mezzo-soprano
Andrew Kennedy tenor
Jonathan Lemalu baritone
Philharmonia Chorus

Programme

Beethoven: Symphony No.9 (Choral)

Felsenreitschule, Salzburg

Programme

BIRTWISTLE: Gaiwan

Ingo Metzmacher, Conductor

Christopher Maltman
John Tomlinson
Laura Aikin
Jennifer Johnston
Jeffrey Lloyd-Roberts 
Elisabeth Atherton
Andrew Watts
Brian Galliford

Salzburg Bach Choir
ORF Radio-Symphonieorchester Wien

Felsenreitschule, Salzburg

Programme

BIRTWISTLE: Gaiwan

Ingo Metzmacher, Conductor

Christopher Maltman
John Tomlinson
Laura Aikin
Jennifer Johnston
Jeffrey Lloyd-Roberts 
Elisabeth Atherton
Andrew Watts
Brian Galliford

Salzburg Bach Choir
ORF Radio-Symphonieorchester Wien

Felsenreitschule, Salzburg

Programme

BIRTWISTLE: Gaiwan

Ingo Metzmacher, Conductor

Christopher Maltman
John Tomlinson
Laura Aikin
Jennifer Johnston
Jeffrey Lloyd-Roberts 
Elisabeth Atherton
Andrew Watts
Brian Galliford

Salzburg Bach Choir
ORF Radio-Symphonieorchester Wien

Felsenreitschule, Salzburg

Programme

BIRTWISTLE: Gaiwan

Ingo Metzmacher, Conductor

Christopher Maltman
John Tomlinson
Laura Aikin
Jennifer Johnston
Jeffrey Lloyd-Roberts 
Elisabeth Atherton
Andrew Watts
Brian Galliford

Salzburg Bach Choir
ORF Radio-Symphonieorchester Wien

Royal Albert Hall, London

Programme

Beethoven: Symphony no. 9


Lisa Milne - soprano
Jennifer Johnston - mezzo-soprano
Andrew Kennedy - tenor
Gerald Finley - baritone

National Youth Orchestra of Great Britain / Vasily Petrenko

Felsenreitschule, Salzburg

Programme

BIRTWISTLE: Gaiwan

Ingo Metzmacher, Conductor

Christopher Maltman
John Tomlinson
Laura Aikin
Jennifer Johnston
Jeffrey Lloyd-Roberts 
Elisabeth Atherton
Andrew Watts
Brian Galliford

Salzburg Bach Choir
ORF Radio-Symphonieorchester Wien

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Press

Stravinsky

Oedipus Rex

Barbican Centre, LSO, Sir John Eliot Gardiner

Mezzo Jennifer Johnston was a powerful, graceful Jocasta with gorgeous tone and marvelous diction. Paul Kilbey for Bachtrack
...and Jennifer Johnston (Jocasta) made superb, larger-than-life protagonists Michael Church for The Independent
At its best the result was electrifying, though of the  soloists only Jennifer Johnston as Jocasta sounded convincing. Barry Millington for London Evening Standard
Jennifer Johnston was a formidable Jocasta, venomously spitting out her dismissal of the oracles while Gardiner thrillingly energised the cascading wind instruments beneath her Andrew Clements for The Guardian
Jennifer Johnston was a formidable Jocasta Hilary Finch for The Times

Beethoven

Missa Solemnis

ORR/Sir John Eliot Gardiner

"Some of the most moving solo singing came from Jennifer Johnston, whose mezzo glows with unforced feeling and whose pure style fits well into the period-instrument world." New York Times
"Mezzo soprano Jennifer Johnston has a uniquely rich, low voice that was warm and pliant" Bachtrack
"Johnston's mezzo contributed both warmth and sombre darkness to the ensemble" The Times

Bach

St. Matthew Passion

Dallas Symphony Orchestra / Jaap Van Zweden

"Alto Jennifer Johnston's serene majestic sound and fine taste were in evidence all evening" Bachtrack
"The standout soloist was alto Jennifer Johnston, with a hot-coals tone and elegantly expressive manner" Dallas Morning News

Mahler

Second Symphony

OSESP / Alondra de la Parra

"The English contralto Jennifer Johnston gave an excellent vocal performance of the song 'Urlicht', unforgettable and beautiful from an interpretive point of view" Movimento
"Jennifer Johnston was flawless and demonstrated admirable vocal power"  Estadao

Britten

Songs recording

Onyx records

"Female voices are thinner on the ground, but the dusky beauty of mezzo Jennifer Johnston’s A Charm of Lullabies leaves one wishing for more"
Sarah Noble for Limelight Magazine

"Mezzo Jennifer Johnston brings maternal warmth to A Charm of Lullabies, which Britten wrote for Nancy Evans, the first Nancy in Albert Herring. Even the steeliness Johnston demonstrates when delivering the menacing imagery of "Charm" seems to stem from a place of love and protection, as if she knew that only extreme images of furies, fire and brimstone would scare her young charge into submitting to sleep."

Joanne Sydney Lessner for Opera News
"finely turned contributions from [...] and mezzo Jennifer Johnston."
Rupert Christiansen for the Telegraph

Britten

Spring Symphony

St David's Hall, Cardiff

"while mezzo Jennifer Johnston brought a golden glow to the lines originally written for Kathleen Ferrier." Rian Evans for the Guardian

Wagner

Götterdämmerung

Bayerische Staatsoper Munich

"...captured our attention as the Third Norn, exceptionally well-matched with Jennifer Johnston (an assured Second Norn)" James Sohre for Opera Today

Das Rheingold, 24th June 2011

Birmingham Symphony Hall (Opera North)

“Jeni Bern, Sarah Castle and especially Jennifer Johnston were as fine a trio of Rhinemaidens as you could expect to hear anywhere.” Intermezzo, 24/06/2011

Das Rheingold, 18th June 2011

Leeds Town Hall (Opera North)

"...this was one of the most enthralling Wagner performances of recent years"
 

The Guardian
"three characterful Rhinemaidens (Jeni Bern, Jennifer Johnston, Sarah Castle) are revelations." The Times
“An enchanting trio of Rhinemaidens got things off to a sparkling start. ” The Daily Paragraph

Recordings

Britten Songs - Vol.2

Malcolm Martineau accompanies Allan Clayton, Jennifer Johnston, Nicky Spence, Benjamin Hulett, Benedict Nelson, Elizabeth Atherton and Robin Tritschler

Onyx records

La Betulia liberata

Music by WA Mozart

Jeremy Ovenden, Marijana Mijanovic, Julia Kleiter, Franz-Josef Selig, Irena Bespalovaite & Jennifer Johnston

Konzertvereinigung Wiener Staatsopernchor & Münchener Kammerorchester, Christoph Poppen

Deutsche Grammophon

Everyman

Music by Sir Henry Walford Davies

Elena Ferrari, Jennifer Johnston, Andrew Staples, Pauls Putnins

London Oriana Choir; Kensington Symphony Orchestra
David Drummond (conductor)

Dutton Digital