Yuri Vorobiev

Introduction

St Petersburg born bass Yuri Vorobiev is a principal singer at the world renowned Mariinsky Theatre, St. Petersburg. He recently gave his company debut at the Royal Opera House Covent Garden, took part in Robert Lepage’s highly acclaimed production of Stravinsky’s Le Rossignol at the Canadian Opera Company Toronto, Aix-en-Provence festival, Grand Theatre de Quebec, Netherlands Opera and Lyon  Opera and  concerts of Iolanta and Le Rossignol at Salzburg Festival 2011 conducted by Ivor Bolton.

Yuri enjoys a great relationship with Valery Gergiev, with whom he has sang Gurnemanz in Parsifal in a concert tour of the UK, a new production of Les Troyens at Palau de les Arts ‘Reina Sofia’ Valencia, Pique Dame and Khovanshchina at Deutsche Oper Berlin; Shostakovich’s 14th Symphony at Konzerthaus Vienna and Concertgebouw Amsterdam; Timur in Turandot in concert at the NHK Hall, Tokyo; Narbal in Les Troyens at Suntory Hall, Tokyo and Carnegie Hall, New York; Konchak in Prince Igor at Yokohama Minato Mirai Hall, Tokyo and Sarti’s Gloria alongside Barbara Frittoli at the White Nights Festival.

Yuri has also worked with conductors such as Yuri Bashmet, Michael Guettler, Fredrik Malmberg, Gianandrea Noseda, Kazushi Ono, Paolo Olmi and Tugan Sokhiev.

His engagements outside the Mariinsky Theatre this season include  Verdi’s Requiem with the NHK Symphony Orchestra in Tokyo, conducted by Semyon Bychkov as well as Simone Boccanegra at Opera de Nice and Royal Opera House Oman (in Muscat), both conducted by Philippe Auguin.

Yuri was born in St. Petersburg where he graduated from the Glinka School of Music in 1998 and subsequently studied at the St Petersburg State Rimsky-Korsakov Conservatoire. He is a soloist with the Mariinsky Academy of Young Singers since 2002. He is a Prize-winner of the Rimsky-Korsakov Young Opera Singers´ Competition (St Petersburg, 2004).



  

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Repertoire

OPERA
Beethoven

Fidelio Rocco

Bellini
Norma Oroveso

Berlioz
Les Troyens Narbal   

Bizet
Carmen Zuniga

Glinka
Ruslan and Ludmila Svetozar

Mozart
Die Zauberflote Sarastro
Don Giovanni Masetto
Idomeneo la voce del nettuno
La nozze de Figaro Bartolo, Antonio 

Prokofiev
Betrothal in a monastery Mendoza, Don Carlos
Love for three oranges Cook
War and Peace Rostov

Puccini
Tosca  Angeolotti
Manon Lescaut Geronte de Ravoir
La Boheme Colline
Turandot Timur
Madama Butterfly The Imperial Commissioner

R. Strauss
Ariadne auf Naxos Truffaldino

Rakhmaninov
Aleko Old Gipsy

Ravel
Spanish hour Don Inigo Gomes 

Rimsky-Korsakov
Tsars bride Sobakin
Pskovitjanka Prinz Tokmakov
the Maid of Pskov Tokmanov, Vyazemsky
May Night Scribe

Rossini
Il viaggo a Reims Don Prudenzio, Antonio

Rubinstein
Demon The servant of prince Sinodal 

Shostakovich
The Nose all bass roles
Lady Macbeth of Mtsenk The old convict

Stravinsky
Oedipus Rex Tiresias

Tchaikovsky

Queen of Spades Surin
Iolanta Bertrand
Eugene Onegin Gremin

Verdi
Aida Il Re
Macbeth Banco
Rigoletto Sparafucile
Don Carlo Il Frate
Falstaff Pistola
Nabucco Gran Sacerdote
Simon Boccanegra Pietro, Fiesco
La Forza del Destino Padre Guardiano
La Traviata Dottore Grenvil
Otello Lodovico, Montano

Wagner
Parsifal Gurnemanz
Der fliegende Holländer Daland

CONCERT

Bach Magnificat, h-moll Messe

Mozart  Requiem, c-moll Messe

Verdi Messa di Requiem

Shostakovich 14th Symphony

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  • STRAVINSKY
    Oedipus Rex

Press

Wagner

Parsifal

Millenium Centre, Cardiff

"...and Yury Vorobiev as Gurnemanz were outstanding." Nigel Jarrett for South Wales Argus

Wagner

Parsifal

Barbican Centre, London

"No praise too high for Yury Vorobiev’s warm and vibrant Gurnemanz" Michael Church for the Independent
"Yury Vorobiev’s Gurnemanz was outstanding for clarity of diction and vocal authority" Barry Millington for the Evening Standard
"Yuri Vorobiev was a very moving Gurnemanz, delivering this taxing role with consistent authority and in complete command of its demanding emotional range. His Act One ‘narration’ was spellbinding, as was its ravishingly well-played accompaniment." Peter Reed for Classical Source
"Yury Vorobiev’s youthful but authoritative Gurnemanz radiated gravitas – a Russian bass of high intelligence" Andrew Clark for Financial Times

"I’ll draw a veil over the fact that the Gurnemanz of Yury Vorobiev was much younger than Parsifal, and instead offer praise for a beautifully sung account, without a hint a wobble you can so frequently hear from certain other basses in the role. Vorobiev seemed genuinely involved in – and moved by – the music, although his semaphore bordered on the unintentionally comic. For such a young singer to vocally portray the veteran Grail knight so nobly was a pleasure to hear." Mark Pullinger for Opera Britannia

Wagner

Parsifal

Birmingham Symphony Hall

"Without a doubt, Nikolay Putilin’s Klingsor and Yury Vorobiev’s Gurnemanz were the stars of the show. [...], whilst Vorobiev was the only soloist who made any effort to communicate his character’s wisdom with the audience, often singing directly at us with a voice so clear and focussed that other Wagner basses had better keep an eye on this fellow’s movements – his biography advises that he will sing Colline in La Bohème at the Royal Opera this spring, and this opportunity to hear him is strongly recommended." Andrew H. King for Bachtrack
"For the first hour or so Yury Vorobiev held the fort – an extremely youthful looking Gurnemanz. Yet he more than made up for his lack of years with his rich, mature sounding voice and the intense seriousness and gravitas he brought to the role – apart from when he sends Parsifal packing. His lament in Act Three of how the Kingdom of Montsalvat has fallen on hard times was profoundly moving full of grief that felt entirely genuine." Roger Jones for Seen and Heard
"The sonorously-voiced Yuri Vorobiev was a totally authoritative, constantly involved Gurnemanz, pleasingly less of the major-domo fusspot he can appear onstage" Christopher Morley for Birmingham Post

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