Peter Rose

Introduction

A regular guest at the world's most important opera houses, Peter Rose's enormous repertoire includes Ramphis, Fasolt, Somnus, Daland, King Marke, the Commendatore, Basilio, Kecal, Ochs, Banquo, Philip, Prince Gremin, Leporello, Osmin, Gurnemanz, Zaccaria, Claggart and Falstaff. He has won particular acclaim for his performances of Bottom which he has sung in Aix-en-Provence, Paris, London, Rome, on the occasion of his debut at the Metropolitan Opera, New York and for Glyndebourne Festival Opera. A prolific concert artist he has sung under, among others, Giulini, Rattle, Kleiber, Maazel, Barenboim, Boulez, Mehta, Solti and Masur with orchestras that include the Cleveland Orchestra, the London Symphony, Chicago Symphony and the New York, Vienna and Berlin Philharmonic Orchestras.


This is for information only and should not be reproduced. Please contact Kate Baylis for a full biography.

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Schedule

Lyric Opera of Chicago, Chicago

R.STRAUSS: Capriccio

Countess, Renée Fleming
Clairon, Anne Sofie von Otter
Bo Skovhus, Count
William Burden, Flamand
Audun Iversen, Olivier
Peter Rose, La Roche

Sir Andrew Davis, Conductor
Original Director, John Cox
Revival Director, Peter McClintock

Lyric Opera of Chicago, Chicago

R.STRAUSS: Capriccio

Countess, Renée Fleming
Clairon, Anne Sofie von Otter
Bo Skovhus, Count
William Burden, Flamand
Audun Iversen, Olivier
Peter Rose, La Roche

Sir Andrew Davis, Conductor
Original Director, John Cox
Revival Director, Peter McClintock

Lyric Opera of Chicago, Chicago

R.STRAUSS: Capriccio

Countess, Renée Fleming
Clairon, Anne Sofie von Otter
Bo Skovhus, Count
William Burden, Flamand
Audun Iversen, Olivier
Peter Rose, La Roche

Sir Andrew Davis, Conductor
Original Director, John Cox
Revival Director, Peter McClintock

Lyric Opera of Chicago, Chicago

R.STRAUSS: Capriccio

Countess, Renée Fleming
Clairon, Anne Sofie von Otter
Bo Skovhus, Count
William Burden, Flamand
Audun Iversen, Olivier
Peter Rose, La Roche

Sir Andrew Davis, Conductor
Original Director, John Cox
Revival Director, Peter McClintock

Pick-Staiger Concert Hall, Chicago

MOZART: Requiem
MOZART: Symphony No. 36 (Linz)
BEETHOVEN: Elegischer Gesang
HAYDN: Te Deum for the Empress Maria Therese

Sherezade Panthaki, soprano
Leah Wool, mezzo-soprano
Thomas Cooley, tenor
Peter Rose, bass

Nicholas Kraemer, conductor
Music of the Baroque Chorus and Orchestra

Harris Theater, Chicago

MOZART: Requiem
MOZART: Symphony No. 36 (Linz)
BEETHOVEN: Elegischer Gesang
HAYDN: Te Deum for the Empress Maria Therese

Sherezade Panthaki, soprano
Leah Wool, mezzo-soprano
Thomas Cooley, tenor
Peter Rose, bass

Nicholas Kraemer, conductor
Music of the Baroque Chorus and Orchestra

Lyric Opera of Chicago, Chicago

R.STRAUSS: Capriccio

Countess, Renée Fleming
Clairon, Anne Sofie von Otter
Bo Skovhus, Count
William Burden, Flamand
Audun Iversen, Olivier
Peter Rose, La Roche

Sir Andrew Davis, Conductor
Original Director, John Cox
Revival Director, Peter McClintock

Lyric Opera of Chicago, Chicago

R.STRAUSS: Capriccio

Countess, Renée Fleming
Clairon, Anne Sofie von Otter
Bo Skovhus, Count
William Burden, Flamand
Audun Iversen, Olivier
Peter Rose, La Roche

Sir Andrew Davis, Conductor
Original Director, John Cox
Revival Director, Peter McClintock

Lyric Opera of Chicago, Chicago

R.STRAUSS: Capriccio

Countess, Renée Fleming
Clairon, Anne Sofie von Otter
Bo Skovhus, Count
William Burden, Flamand
Audun Iversen, Olivier
Peter Rose, La Roche

Sir Andrew Davis, Conductor
Original Director, John Cox
Revival Director, Peter McClintock

Wiener Staatsoper, Vienna

R.STRAUSS: Der Rosenkavalier
 
Soile Isokoski, Feldmarschallin
Peter Rose, Baron Ochs auf Lerchenau
Alice Coote, Octavian
Chen Reiss, Sophie

Kirill Petrenko, Dirigent
Otto Schenk, Regie

Wiener Staatsoper, Vienna

R.STRAUSS: Der Rosenkavalier
 
Soile Isokoski, Feldmarschallin
Peter Rose, Baron Ochs auf Lerchenau
Alice Coote, Octavian
Chen Reiss, Sophie

Kirill Petrenko, Dirigent
Otto Schenk, Regie

Wiener Staatsoper, Vienna

R.STRAUSS: Der Rosenkavalier
 
Soile Isokoski, Feldmarschallin
Peter Rose, Baron Ochs auf Lerchenau
Alice Coote, Octavian
Chen Reiss, Sophie

Kirill Petrenko, Dirigent
Otto Schenk, Regie

Wiener Staatsoper, Vienna

R.STRAUSS: Der Rosenkavalier
 
Soile Isokoski, Feldmarschallin
Peter Rose, Baron Ochs auf Lerchenau
Alice Coote, Octavian
Chen Reiss, Sophie

Kirill Petrenko, Dirigent
Otto Schenk, Regie

Semperoper, Dresden

R.STRAUSS: Der Rosenkavalier

Die Feldmarschallin, Anja Harteros
Baron Ochs auf Lerchenau, Peter Rose
Octavian, Sophie Koch
Herr von Faninal, Adrian Eröd
Sophie, Christiane Karg

Musikalische Leitung, Christian Thielemann
Inszenierung, Uwe Eric Laufenberg

Semperoper, Dresden

R.STRAUSS: Der Rosenkavalier

Die Feldmarschallin, Anja Harteros
Baron Ochs auf Lerchenau, Peter Rose
Octavian, Sophie Koch
Herr von Faninal, Adrian Eröd
Sophie, Christiane Karg

Musikalische Leitung, Christian Thielemann
Inszenierung, Uwe Eric Laufenberg

Semperoper, Dresden

R.STRAUSS: Der Rosenkavalier

Die Feldmarschallin, Anja Harteros
Baron Ochs auf Lerchenau, Peter Rose
Octavian, Sophie Koch
Herr von Faninal, Adrian Eröd
Sophie, Christiane Karg

Musikalische Leitung, Christian Thielemann
Inszenierung, Uwe Eric Laufenberg

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Press

HAYDN

The Creation

Sir Simon Rattle; OAE

There was an excellent trio of solo singers...The bass has the most fun, and here Peter Rose relished his every turn, especially the low notes for the lowly earthworm Erica Jeal, The Guardian, 7th May 2014

PUCCINI

Turandot

Seattle Opera

Peter Rose sang Timur with beautiful, rock-solid tone, while depicting the frailty of age with almost painful intensity. 
Bernard Jacobson, The Seattle Times, 6th August 2012

HANDEL

Messiah

New York Philharmonic Orchestra

...the bass Peter Rose...uniformly superb.
Steve Smith, New York Times, 14th December 2011
 ...Peter Rose, another superb voice, with his intense nuancing of his recitative.
New York Arts, 19th December 2011

R.STRAUSS

Capriccio

The Metropolitan Opera

The impresario La Roche (the resonant British bass Peter Rose) points out that neither words nor music are worth squat without his sense of stagecraft.
Arthur Kaptainis, The Gazette, 1st April 2011
The most crucial character is La Roche, a theater director, here the powerful bass Peter Rose.
Anthony Tommasini, New York Times, 29th March 2011
As the producer La Roche, bass Peter Rose sang and acted with gusto...
Mike Silverman, San Francisco Chronicle, 29th March 2011
Bass Peter Rose, as the theater director La Roche, a character apparently modeled on the great Max Reinhardt, has his own idea of what takes priority: putting on a good production, a subject he expounds on eloquently in a scene in which Rose's robust bass is heard to fine effect.
George Loomis, www.classicalreview.com, 29th March 2011