Peter Rose

Introduction

A regular guest at the world's most important opera houses, Peter Rose's enormous repertoire includes Ramphis, Fasolt, Somnus, Daland, King Marke, the Commendatore, Basilio, Kecal, Ochs, Banquo, Philip, Prince Gremin, Leporello, Osmin, Gurnemanz, Zaccaria, Claggart and Falstaff. He has won particular acclaim for his performances of Bottom which he has sung in Aix-en-Provence, Paris, London, Rome, on the occasion of his debut at the Metropolitan Opera, New York and for Glyndebourne Festival Opera. A prolific concert artist he has sung under, among others, Giulini, Rattle, Kleiber, Maazel, Barenboim, Boulez, Mehta, Solti and Masur with orchestras that include the Cleveland Orchestra, the London Symphony, Chicago Symphony and the New York, Vienna and Berlin Philharmonic Orchestras.


This is for information only and should not be reproduced. Please contact Kate Baylis for a full biography.

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News & Features

Schedule

Nationaltheater, München

R.STRAUSS: Der Rosenkavalier

Musikalische Leitung Constantin Trinks

Die Feldmarschallin Soile Isokoski
Der Baron Ochs auf Lerchenau Peter Rose
Octavian Alice Coote
Herr von Faninal Martin Gantner
Sophie Mojca Erdmann
Jungfer Marianne Leitmetzerin Ingrid Kaiserfeld
Valzacchi Ulrich Reß
Annina Heike Grötzinger

Bayerisches Staatsorchester
Chor der Bayerischen Staatsoper

Nationaltheater, München

R.STRAUSS: Der Rosenkavalier

Musikalische Leitung Constantin Trinks

Die Feldmarschallin Soile Isokoski
Der Baron Ochs auf Lerchenau Peter Rose
Octavian Alice Coote
Herr von Faninal Martin Gantner
Sophie Mojca Erdmann
Jungfer Marianne Leitmetzerin Ingrid Kaiserfeld
Valzacchi Ulrich Reß
Annina Heike Grötzinger

Bayerisches Staatsorchester
Chor der Bayerischen Staatsoper

Nationaltheater, München

ROSSINI: Il barbiere di Siviglia

Musikalische Leitung Antonello Allemandi
Inszenierung Ferruccio Soleri

Graf Almaviva Juan Diego Flórez
Bartolo Renato Girolami
Rosina Kate Lindsey
Figaro Rodion Pogossov
Basilio Peter Rose

Fiorello Andrea Borghini
Berta Hanna-Elisabeth Müller
Ein Offizier Dean Power

Bayerisches Staatsorchester
Chor der Bayerischen Staatsoper

McCaw Hall, Seattle

Opera Gala

Join us for an extraordinary concert honoring the 30-year tenure of our beloved General Director Speight Jenkins and celebrating Seattle Opera’s 50th Anniversary. A festive, black-tie reception and gourmet dinner for Speight and these spectacular singers will immediately follow the performance.

Wiener Staatsoper, Vienna

WAGNER: Der fliegende Holländer
    
Peter Rose, Daland
Ricarda Merbeth, Senta
Norbert Ernst, Erik
Bryn Terfel, Der Holländer  

Yannick Nézet-Séguin, Dirigent
Christine Mielitz, Regie

Wiener Staatsoper, Vienna

WAGNER: Der fliegende Holländer
    
Peter Rose, Daland
Ricarda Merbeth, Senta
Norbert Ernst, Erik
Bryn Terfel, Der Holländer  

Yannick Nézet-Séguin, Dirigent
Christine Mielitz, Regie

Wiener Staatsoper, Vienna

WAGNER: Der fliegende Holländer
    
Peter Rose, Daland
Ricarda Merbeth, Senta
Norbert Ernst, Erik
Bryn Terfel, Der Holländer  

Yannick Nézet-Séguin, Dirigent
Christine Mielitz, Regie

Wiener Staatsoper, Vienna

WAGNER: Der fliegende Holländer
    
Peter Rose, Daland
Ricarda Merbeth, Senta
Norbert Ernst, Erik
Bryn Terfel, Der Holländer  

Graeme Jenkins, Dirigent
Christine Mielitz, Regie

Lyric Opera of Chicago, Chicago

R.STRAUSS: Capriccio

Countess, Renée Fleming
Clairon, Anne Sofie von Otter
Bo Skovhus, Count
William Burden, Flamand
Audun Iversen, Olivier
Peter Rose, La Roche

Sir Andrew Davis, Conductor
Original Director, John Cox
Revival Director, Peter McClintock

Lyric Opera of Chicago, Chicago

R.STRAUSS: Capriccio

Countess, Renée Fleming
Clairon, Anne Sofie von Otter
Bo Skovhus, Count
William Burden, Flamand
Audun Iversen, Olivier
Peter Rose, La Roche

Sir Andrew Davis, Conductor
Original Director, John Cox
Revival Director, Peter McClintock

Lyric Opera of Chicago, Chicago

R.STRAUSS: Capriccio

Countess, Renée Fleming
Clairon, Anne Sofie von Otter
Bo Skovhus, Count
William Burden, Flamand
Audun Iversen, Olivier
Peter Rose, La Roche

Sir Andrew Davis, Conductor
Original Director, John Cox
Revival Director, Peter McClintock

Lyric Opera of Chicago, Chicago

R.STRAUSS: Capriccio

Countess, Renée Fleming
Clairon, Anne Sofie von Otter
Bo Skovhus, Count
William Burden, Flamand
Audun Iversen, Olivier
Peter Rose, La Roche

Sir Andrew Davis, Conductor
Original Director, John Cox
Revival Director, Peter McClintock

Pick-Staiger Concert Hall, Chicago

MOZART: Requiem
MOZART: Symphony No. 36 (Linz)
BEETHOVEN: Elegischer Gesang
HAYDN: Te Deum for the Empress Maria Therese

Sherezade Panthaki, soprano
Leah Wool, mezzo-soprano
Thomas Cooley, tenor
Peter Rose, bass

Nicholas Kraemer, conductor
Music of the Baroque Chorus and Orchestra

Harris Theater, Chicago

MOZART: Requiem
MOZART: Symphony No. 36 (Linz)
BEETHOVEN: Elegischer Gesang
HAYDN: Te Deum for the Empress Maria Therese

Sherezade Panthaki, soprano
Leah Wool, mezzo-soprano
Thomas Cooley, tenor
Peter Rose, bass

Nicholas Kraemer, conductor
Music of the Baroque Chorus and Orchestra

Lyric Opera of Chicago, Chicago

R.STRAUSS: Capriccio

Countess, Renée Fleming
Clairon, Anne Sofie von Otter
Bo Skovhus, Count
William Burden, Flamand
Audun Iversen, Olivier
Peter Rose, La Roche

Sir Andrew Davis, Conductor
Original Director, John Cox
Revival Director, Peter McClintock

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Press

HAYDN

The Creation

Sir Simon Rattle; OAE

There was an excellent trio of solo singers...The bass has the most fun, and here Peter Rose relished his every turn, especially the low notes for the lowly earthworm Erica Jeal, The Guardian, 7th May 2014

PUCCINI

Turandot

Seattle Opera

Peter Rose sang Timur with beautiful, rock-solid tone, while depicting the frailty of age with almost painful intensity. 
Bernard Jacobson, The Seattle Times, 6th August 2012

HANDEL

Messiah

New York Philharmonic Orchestra

...the bass Peter Rose...uniformly superb.
Steve Smith, New York Times, 14th December 2011
 ...Peter Rose, another superb voice, with his intense nuancing of his recitative.
New York Arts, 19th December 2011

R.STRAUSS

Capriccio

The Metropolitan Opera

The impresario La Roche (the resonant British bass Peter Rose) points out that neither words nor music are worth squat without his sense of stagecraft.
Arthur Kaptainis, The Gazette, 1st April 2011
The most crucial character is La Roche, a theater director, here the powerful bass Peter Rose.
Anthony Tommasini, New York Times, 29th March 2011
As the producer La Roche, bass Peter Rose sang and acted with gusto...
Mike Silverman, San Francisco Chronicle, 29th March 2011
Bass Peter Rose, as the theater director La Roche, a character apparently modeled on the great Max Reinhardt, has his own idea of what takes priority: putting on a good production, a subject he expounds on eloquently in a scene in which Rose's robust bass is heard to fine effect.
George Loomis, www.classicalreview.com, 29th March 2011