Peter Rose

Introduction

A regular guest at the world's most important opera houses, Peter Rose's enormous repertoire includes Ramphis, Fasolt, Somnus, Daland, King Marke, the Commendatore, Basilio, Kecal, Ochs, Banquo, Philip, Prince Gremin, Leporello, Osmin, Gurnemanz, Zaccaria, Claggart and Falstaff. He has won particular acclaim for his performances of Bottom which he has sung in Aix-en-Provence, Paris, London, Rome, on the occasion of his debut at the Metropolitan Opera, New York and for Glyndebourne Festival Opera. A prolific concert artist he has sung under, among others, Giulini, Rattle, Kleiber, Maazel, Barenboim, Boulez, Mehta, Solti and Masur with orchestras that include the Cleveland Orchestra, the London Symphony, Chicago Symphony and the New York, Vienna and Berlin Philharmonic Orchestras.


This is for information only and should not be reproduced. Please contact Kate Baylis for a full biography.

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  • Peter Rose - Classic Talk (2)

Schedule

Nationaltheater, Munich

MOZART: Die Entführung aus dem Serail

Konstanze, Brenda Rae
Blonde, Rebecca Nelsen
Belmonte, Daniel Behle
Pedrillo, Matthew Grills
Osmin, Peter Rose
Bassa Selim, Bernd Schmidt
Erzählerin, Demet Gül

Musikalische Leitung, Ivor Bolton
Inszenierung, Martin Duncan
Bayerisches Staatsorchester
Chor der Bayerischen Staatsoper

Nationaltheater, Munich

MOZART: Die Entführung aus dem Serail

Konstanze, Brenda Rae
Blonde, Rebecca Nelsen
Belmonte, Daniel Behle
Pedrillo, Matthew Grills
Osmin, Peter Rose
Bassa Selim, Bernd Schmidt
Erzählerin, Demet Gül

Musikalische Leitung, Ivor Bolton
Inszenierung, Martin Duncan
Bayerisches Staatsorchester
Chor der Bayerischen Staatsoper

Nationaltheater, Munich

MOZART: Die Entführung aus dem Serail

Konstanze, Brenda Rae
Blonde, Rebecca Nelsen
Belmonte, Daniel Behle
Pedrillo, Matthew Grills
Osmin, Peter Rose
Bassa Selim, Bernd Schmidt
Erzählerin, Demet Gül

Musikalische Leitung, Ivor Bolton
Inszenierung, Martin Duncan
Bayerisches Staatsorchester
Chor der Bayerischen Staatsoper

Festspielhaus, Baden-Baden

R.STRAUSS: Der Rosenkavalier

Anja Harteros, The Marschallin
Peter Rose, Baron Ochs
Magdalena Kožená, Octavian
Anna Prohaska, Sophie

Carole Wilson, Annina
Lawrence Brownlee, A Singer
Elisabeth-Maria Wachutka, Marianne

Sir Simon Rattle, Musical direction

Brigitte Fassbaender, Director
Philharmonia Chor Wien
Berliner Philharmoniker

Festspielhaus, Baden-Baden

R.STRAUSS: Der Rosenkavalier

Anja Harteros, The Marschallin
Peter Rose, Baron Ochs
Magdalena Kožená, Octavian
Anna Prohaska, Sophie

Carole Wilson, Annina
Lawrence Brownlee, A Singer
Elisabeth-Maria Wachutka, Marianne

Sir Simon Rattle, Musical direction

Brigitte Fassbaender, Director
Philharmonia Chor Wien
Berliner Philharmoniker

Festspielhaus, Baden-Baden

R.STRAUSS: Der Rosenkavalier

Anja Harteros, The Marschallin
Peter Rose, Baron Ochs
Magdalena Kožená, Octavian
Anna Prohaska, Sophie

Carole Wilson, Annina
Lawrence Brownlee, A Singer
Elisabeth-Maria Wachutka, Marianne

Sir Simon Rattle, Musical direction

Brigitte Fassbaender, Director
Philharmonia Chor Wien
Berliner Philharmoniker

Festspielhaus, Baden-Baden

R.STRAUSS: Der Rosenkavalier

Anja Harteros, The Marschallin
Peter Rose, Baron Ochs
Magdalena Kožená, Octavian
Anna Prohaska, Sophie

Carole Wilson, Annina
Lawrence Brownlee, A Singer
Elisabeth-Maria Wachutka, Marianne

Sir Simon Rattle, Musical direction

Brigitte Fassbaender, Director
Philharmonia Chor Wien
Berliner Philharmoniker

Herkulessaal der Residenz, Munich

WAGNER: Das Rheingold

Annette Dasch, Sopran
Hanna-Elisabeth Müller, Sopran
Janina Baechle, Mezzosopran
Elisabeth Kulman, Mezzosopran
Eva Vogel, Mezzosopran
Stella Doufexis, Mezzosopran
Benjamin Bruns, Tenor
Herwig Pecoraro, Tenor
Burkhard Ulrich, Tenor
Michael Volle, Bariton
Tomasz Konieczny, Bassbariton
Christian van Horn, Bassbariton
Eric Halfvarson, Bass
Peter Rose, Bass

Sir Simon Rattle, Dirigent

Symphonieorchester des Bayerischen Rundfunks

Herkulessaal der Residenz, Munich

WAGNER: Das Rheingold

Annette Dasch, Sopran
Hanna-Elisabeth Müller, Sopran
Janina Baechle, Mezzosopran
Elisabeth Kulman, Mezzosopran
Eva Vogel, Mezzosopran
Stella Doufexis, Mezzosopran
Benjamin Bruns, Tenor
Herwig Pecoraro, Tenor
Burkhard Ulrich, Tenor
Michael Volle, Bariton
Tomasz Konieczny, Bassbariton
Christian van Horn, Bassbariton
Eric Halfvarson, Bass
Peter Rose, Bass

Sir Simon Rattle, Dirigent

Symphonieorchester des Bayerischen Rundfunks

Wiener Staatsoper, Vienna

WAGNER: Das Rheingold
 
Michael Volle, Wotan
Herbert Lippert, Loge
Elisabeth Kulman, Fricka
Janina Baechle, Erda
Tomasz Konieczny, Alberich
Peter Rose, Fasolt

Simon Rattle, Dirigent

Sven-Eric Bechtolf, Regie

Wiener Staatsoper, Vienna

WAGNER: Das Rheingold
 
Michael Volle, Wotan
Herbert Lippert, Loge
Elisabeth Kulman, Fricka
Janina Baechle, Erda
Tomasz Konieczny, Alberich
Peter Rose, Fasolt

Simon Rattle, Dirigent

Sven-Eric Bechtolf, Regie

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Press

R.STRAUSS

Capriccio

Lyric Opera of Chicago

Peter Rose was ideal casting for the cynical yet savvy impresario La Roche... Lawrence A. Johnson, Chicago Classical Review, 7th October 2014

HAYDN

The Creation

Sir Simon Rattle; OAE

There was an excellent trio of solo singers...The bass has the most fun, and here Peter Rose relished his every turn, especially the low notes for the lowly earthworm Erica Jeal, The Guardian, 7th May 2014

PUCCINI

Turandot

Seattle Opera

Peter Rose sang Timur with beautiful, rock-solid tone, while depicting the frailty of age with almost painful intensity. 
Bernard Jacobson, The Seattle Times, 6th August 2012

HANDEL

Messiah

New York Philharmonic Orchestra

...the bass Peter Rose...uniformly superb.
Steve Smith, New York Times, 14th December 2011
 ...Peter Rose, another superb voice, with his intense nuancing of his recitative.
New York Arts, 19th December 2011

R.STRAUSS

Capriccio

The Metropolitan Opera

The impresario La Roche (the resonant British bass Peter Rose) points out that neither words nor music are worth squat without his sense of stagecraft.
Arthur Kaptainis, The Gazette, 1st April 2011
The most crucial character is La Roche, a theater director, here the powerful bass Peter Rose.
Anthony Tommasini, New York Times, 29th March 2011
As the producer La Roche, bass Peter Rose sang and acted with gusto...
Mike Silverman, San Francisco Chronicle, 29th March 2011
Bass Peter Rose, as the theater director La Roche, a character apparently modeled on the great Max Reinhardt, has his own idea of what takes priority: putting on a good production, a subject he expounds on eloquently in a scene in which Rose's robust bass is heard to fine effect.
George Loomis, www.classicalreview.com, 29th March 2011