Christopher Bolduc

Introduction

American baritone Christopher Bolduc studies with Bill Schuman and is a recent graduate of the esteemed Academy of Vocal Arts in Philadelphia where he has been described as a "tour de force" as Ford in a recent production of Falstaff and “gave the finest, most compelling and even sympathetic performance of Enrico...his voice was strong and fiery and both his singing and acting were truly impassioned” in Lucia di Lammermoor.  In addition, he performed  Figaro in Il Barbiere di Siviglia, the title role in Eugene Onegin, Lescaut in Manon, Guglielmo in Così fan tutte, and Olivier in Capriccio at AVA.


Mr Bolduc holds a Bachelor of Music from the State University of New York at Purchase and a Master of Music and an honorary Performer’s Certificate from Indiana University.  He was an apprentice artist at the Santa Fe Opera in the summers of 2003 and 2004. 


Mr. Bolduc has received top prizes in numerous competitions, including the Sullivan Foundation Awards for Voice, the Opera Index Competition, the Julián Gayarre Competition, the George London Foundation, the Licia-Albanese Puccini Foundation, the Loren Zachary Society, the Giulio Gari Foundation, the Fritz and Lavinia Jensen Foundation, the Liederkranz Foundation, the Florida Grand Opera Voice Competition and the Connecticut Opera Competition.  He was a national semifinalist in both the 2007 and 2008 Metropolitan National Council Auditions and, last season, was a member of the Young Artist Programme for Basel Opera.

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Press

RAVEL

L'heure espagnole

Glyndebourne Festival Opera

Christopher Bolduc … quite stole the show as Ramiro, his light baritone attractive, yet heroic, as is his stage presence as the gauche muleteer.
Opera Britannia, 27th August 2012
Christopher Bolduc … a hunky, well-sung Ramiro who looked perfectly at home…
Operanotes.wordpress.com, 25th August 2012

MOZART

Don Giovanni

Basel Oper

Da überrascht einmal der amerikanische Bariton Christopher Bolduc. Er spielt sich bestens in die Rolle des unbedarften, umschwärmten und Kopf bis Fuss selbstverliebten Schnösels. Er ist ein heutiger Don Juan, der seine Grandezza längst auf den Abfallhaufen der Geschichte geworfen hat. Vor allem aber singt Bolduc mit seinem kernigen, agilen Bariton hinreissend, gestaltet die rasanten Figuren mit bestechender Virtuosität und Souplesse, findet auch den richtigen verführerischen Klang. Die halsbrecherische Champagnerarie, die an einer Party von heute zur Bierarie wird, meistert er ausgezeichnet.

Here surprised the American baritone Christopher Bolduc. He plays perfectly the role of the undiscerning, idolized and head to toe narcissist. He is a modern-day Don Juan who has already thrown his grandeur to the waste heap of history. Above all, Bolduc sings with his gorgeous robust, agile baritone, making the more rapid figures with impressive virtuosity and suppleness, and also has the right seductive sound. The breakneck champagne aria, which in this modern production could be the 'beer aria', he handles magnificently.

Christian Fluri, 31st January 2011, Basellandschaftliche Zeitung

DONIZETTI

The Elixir of Love

Fort Worth Opera

In my experience Belcore usually lets down the side; not so with dapper Christopher Bolduc, elegant of style and possessing a firm, attractive...voice.
David Shengold, Opera, October 2010
As Belcore, steely-voiced baritone Christopher Bolduc was amusingly vapid and vain without lapsing into caricature. (In this production, Belcore is a U.S. Army recruiter.)... Other good comic bits came from Bolduc, oafishly cradling Adina's head while wearing boxing gloves.

Opera News (New York, NY), September 2010