Ludovic Morlot

Biography

  
The French conductor Ludovic Morlot is Music Director of Seattle Symphony.  Since he assumed this position he has energised the orchestra with his charisma and innovative programming, including several community projects and collaborations with local musicians.  The number of patrons committing to subscription packages has also seen a significant increase since the start of his tenure.  During the 2012/13 season he will conduct many different programmes including Mahler Symphony No 4, Beethoven Symphony No 9, Messiaen Turangalila Symphony, a gala concert with Joshua Bell and performances of Britten’s War Requiem.  The season will culminate in the world premiere performance of John Luther Adams’ Become Ocean.
  
Ludovic Morlot is also Chief Conductor of La Monnaie.  During his first full season his programmes will include Alfred Bruneau’s Requiem as well as his first performances of Debussy’s Pelléas et Mélisande and Mozart’s Cosi Fan Tutte.  During 2010/11 he conducted Poulenc’s Les Mamelles de Tirésias  at Opéra National de Lyon and Opéra Comique in Paris. He has recently collaborated with many distinguished singers including Renée Fleming, Barbara Hannigan, Dawn Upshaw, Jessye Norman and Thomas Hampson.
  
During the 2012/13 season Ludovic will make his debut conducting at the Saito Kinen Festival in Japan and will return to the Royal Concertgebouw and Los Angeles Philharmonic Orchestras. Last season he continued his long term collaboration with the Boston Symphony Orchestra conducting them in two subscription weeks and a tour to the west coast of America. He also has regular relationships with the New York Philharmonic and Chicago Symphony Orchestras and has recently conducted the symphony orchestras in Philadelphia, Cleveland and Pittsburgh.
  
In Europe, Ludovic’s debuts during 2011/12 included the Orchestre National de France, Dresdener Philharmonie, Rundfunk-Sinfonieorchester Berlin and BBC Scottish Symphony Orchestra.  This followed on from recent successful debuts with the London Philharmonic Orchestra and Anne Sophie-Mutter, whom he conducted at the Royal Festival Hall and on tour in Germany and with the Czech Philharmonic Orchestra.  Other recent notable performances have included the Dresden Staatskapelle, Tonhalle, Budapest Festival, Royal Stockholm Philharmonic and Tokyo Philharmonic Orchestras.   
  
Ludovic Morlot has maintained a close working relationship with the Boston Symphony Orchestra since 2001 when he was the Seiji Ozawa Fellowship Conductor at the Tanglewood Music Center and subsequently appointed assistant conductor for the orchestra and their Music Director James Levine (2004-07).  Ludovic served as conductor in residence with the Orchestre National de Lyon under David Robertson (2002-04). 
  
Trained as a violinist, Ludovic studied conducting at the Royal Academy of Music in London and then at the Royal College of Music as recipient of the Norman del Mar Conducting Fellowship.  Ludovic was elected an Associate of the Royal Academy of Music in 2007 in recognition of his significant contribution to music. 

 

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    Violin Concerto

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Schedule

Benaroya Hall, Seattle

 

Programme

BRITTEN War Requiem
Seattle Symphony Orchestra
Ludovic Morlot, conductor
Christine Brewer, soprano

Anthony Dean Griffey. tenor
Ivan Ludlow, baritone
Northwest Boychoir
Seattle Pro Musica

Benaroya Hall, Seattle

 

Programme

BRITTEN War Requiem
Seattle Symphony Orchestra
Ludovic Morlot, conductor
Christine Brewer, soprano

Anthony Dean Griffey. tenor
Ivan Ludlow, baritone
Northwest Boychoir
Seattle Pro Musica

Benaroya Hall, Seattle

 

Programme

SHOSTAKOVICH Violin Concerto No 2
JOHN LUTHER ADAMS Become Ocean (World Premiere)
Ludovic Morlot, conductor
Sergey Khachatryan, violin

Seattle Symphony Orchestra

Benaroya Hall, Seattle

 

Programme

SHOSTAKOVICH Violin Concerto No 2
JOHN LUTHER ADAMS Become Ocean (World Premiere)
Ludovic Morlot, conductor
Sergey Khachatryan, violin

Seattle Symphony Orchestra

Benaroya Hall, Seattle

 

Programme

SHOSTAKOVICH Violin Concerto No 2
JOHN LUTHER ADAMS Become Ocean (World Premiere)
Ludovic Morlot, conductor
Sergey Khachatryan, violin

Seattle Symphony Orchestra

Benaroya Hall, Seattle

 

Programme

SAINT-SAENS Symphony No 3 'Organ'
WAGNER Prelude and Liebestod from Tristan und Isolde
WAGNER Overture und Venusberg Music form Tannhauser
With Seattle Symphony Orchestra

Benaroya Hall, Seattle

 

Programme

SAINT-SAENS Symphony No 3 'Organ'
WAGNER Prelude and Liebestod from Tristan und Isolde
WAGNER Overture und Venusberg Music form Tannhauser
With Seattle Symphony Orchestra

Benaroya Hall, Seattle

 

Programme

SAINT-SAENS Symphony No 3 'Organ'
WAGNER Prelude and Liebestod from Tristan und Isolde
WAGNER Overture und Venusberg Music form Tannhauser
With Seattle Symphony Orchestra

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Seattle Symphony

Ludovic Morlot is Music Director of Seattle Symphony.  

Since he assumed this position in September 2001, he has energised the orchestra with his charisma and innovative programming, including several community projects and collaborations with local musicians.  The number of patrons committing to subscription packages has also seen a significant increase since the start of his tenure.  During the 2012/13 season he will conduct many different programmes including Mahler Symphony No 4, Beethoven Symphony No 9, Messiaen Turangalila Symphony, a gala concert with Joshua Bell and performances of Britten’s War Requiem.  The season will culminate in the world premiere performance of John Luther Adams’ Become Ocean.

Announcement of 2013/14 season, watch here.

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La Monnaie

Ludovic Morlot is Chief Conductor of La Monnaie. 

During the 2012/13 season performances include Alfred Bruneau's Requiem,  Debussy's Pelléas et Mélisande and Mozart's Cosi fan tutte.

 

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Press

Messiaen Turangalila Symphony

Seattle Symphony Orchestra

"With so much going on in the piece, the trick is to keep the multiple layers and rhythms intelligible. Morlot made intricate, crystalline sense of it all."

Seattle Times 1 Feb 2013

Concert 8 November 2012

La Monnaie Orchestra

"It was all smiles from 'his' orchestra on Thursday evening, with Ludovic Morlot, new Chief Conductor of La Monnaie. Calm baton, energetic but precise, simple gestures creating an ultimate opening sound."

Le Soir, 10 November 2012

Concert 17 July 2012

Hollywood Bowl, with the Los Angeles Philharmonic Orchestra

"Each half of the program opened with the Weber overtures ("Der Freischütz" and "Oberon"), and Morlot made them brilliantly electric. The conductor, unusually for the Bowl, divided the violins and put the basses on his left...The result was
transparency and a tactile sound" LA Times 18 July 2012

Arpeghis

Shot in the Dark

International Contemporary Ensemble

"Guest conductor Ludovic Morlot, music director of the Seattle Symphony, led the ICE instrumentalists in a score that changed direction, color and tone relentlessly..."Shot in the Dark" settled on no particular musical vocabulary for very long. Conductor Morlot kept vocalist and instrumentalists in sync, no small feat." Chicago Tribune, 27 May 2012

Seattle Symphony

New York Times

"The ranks of West Coast music directors now include Ludovic Morlot, who in his first season at the Seattle Symphony has galvanized the orchestra and the city with his charismatic leadership and inventive programming." New York Times, March 2012

Concert: January 2012

Rundfunk-Sinfonieorchester Berlin

"37-year-old Frenchman dominated the whole evening with finesse and elegance, along with warmth and depth of sound." Der Tagesspiegel Berlin, 20 January 2012

Concert: January 2012

Seattle Symphony

"Music director Ludovic Morlot's interpretation of "Der Freischütz" was more classical and poetic...In the Bruch, Morlot was an exemplary conductor, keeping the orchestra closely with the soloist"

Seattle Times, 11 January 2012

RAVEL

Daphnis and Chloe

Boston Symphony Orchestra

"Morlot conducted a crack performance...The “Daphnis” suite dazzled. The winds, chirping like birds and providing the splashing sounds of nymphs in frolic, were extraordinary. The suave strings were more French than the French. The Boston brass presented a magical power of boldness in containment." Los Angeles Times, 11 December 2011

Concert: November 2011

Boston Symphony Orchestra

"Morlot put his own stamp on the music, bringing brisk, sharp-edged energy...the “Danse générale’’ [Daphnis et Chloe] was especially tight, razor-sharp accents, a dazzlingly precise laser show. The Mahler, too, excelled in extroversion, the klezmer accents in the third movement volubly rich, the finale barreling toward major-key triumph with assertive hedonism." The Boston Globe, 25 November 2011

Berlioz

Roman Carnival Overture

Boston Symphony Orchestra

"The night began with Berlioz’s 'Roman Carnival' Overture, which Morlot brought vigorously charging out of the gate, drawing plenty of sparkling playing from the orchestra, precise yet never fussy."

The Boston Globe, 18 November 2011

Stravinsky

Rite of Spring

Seattle Symphony

"the conductor either gets it right or he doesn't, and Morlot, on Thursday, got it triumphantly right. This was a reading of the lithe, refreshingly unpompous variety!" Seattle Times, 30 September 2011

Beethoven

Symphony No 3

Seattle Symphony

"Morlot led a high-energy reading of the "Eroica," full of big dynamic contrasts, beautiful phrasing and carefully characterized musical gestures. The orchestra gave him a big-hearted performance, with playing at a level that augurs for a thrilling season to come.""Morlot led a high-energy reading of the "Eroica," full of big dynamic contrasts, beautiful phrasing and carefully characterized musical gestures. The orchestra gave him a big-hearted performance, with playing at a level that augurs for a thrilling season to come." Seattle Times, 23 September 2011

DUTILLEUX

Symphony No 2

Chicago Symphony Orchestra

"Morlot was well inside this fascinating score, coordinating the two groups seamlessly while bringing out its jazzy syncopations, astringent, Stravinskyan harmonies and coloristic subtleties of scoring." The Chicago Tribune, 20 May 2011

Concert: April 2011

Royal Concertgebouw Orchestra

"The Frenchman swept the orchestra to great heights. Morlot wasn't intimidated by the fact that he was working with a top orchestra, indeed he challenged them. The orchestra played with greater flexibility, adventure and boldness than usual. The strings flourished especially." De Volkskrant, 9 April 2011

Poulenc

Les Mamelles de Tirésias

Opera de Lyon

"With such lavish scenery and video projections on stage one might worry that the music would be eclipsed. This however did not happen thanks to the direction of Ludovic Morlot who guided the spirited orchestra." Opera, 7th December 2010