Enrique Mazzola

Introduction

Admired internationally as a specialist in bel canto, Italian conductor Enrique Mazzola is in demand from opera houses worldwide. He is Music Director of Orchestre National d'Ile de France (ONDIF) which performs regularly at Salle Pleyel, Paris and in 2015 becomes the Orchestra Associée at the new Philharmonie in Paris. 

Plans for the coming season include debuts at Zurich Opera and Norske Opera, Oslo (Barbiere). He also conducts Meyerbeer's Dinorah in concert at the Philharmonie, Berlin. Many and varied programmes with ONDIF include a special Phillip Glass concert at Cité de la Musique and he guests with Brussels Philharmonic (Ars Musica) and makes his debut with Quebec Symphony Orchestra. He returns to Glyndebourne Festival Opera for a new production in Summer 2015. 

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    Orchestra Purpur, The Clarinotts 2014

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ONDIF, Artistic Director

In 2012, Mazzola became Artistic Director of Orchestre National d'Ile de France. His first season at the helm of ONDIF was widely praised by audiences and critics alike. In 2014 the orchestra celebrates its 40th anniversary with very special projects including their Birthday concert on 26 January at Salle Pleyel featuring Markus Werba.

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Press

Bizet, Berlioz

Vienna Debut

Musikverein

Musikverein und Symphoniker hatten Glück im Pech (...) in letzter Minute gewann der Musikverein den Italiener Enrique Mazzola.

Mazzola erwies sich bei Bizets 1. Symphonie wie bei Berlioz' "Symphonie Fantastique" als souveräner Techniker, der die Werke mit Elan, klaren Konturen und effektvollen dynamischen Kontrasten gestaltet.
Der Standard, Ljubisa Tosic, 4 March 2014
Der Chef des Orchestre national d'île-de-France (...) zeigte sich auch als umsichtiger, herzlich strahlender Advokat des französischen Repertoires. Kronen Zeitung, Karlheinz Roschitz, 4 March 2014

DONIZETTI

Don Pasquale

Glyndebourne Festival

And there is scintillating playing from the London Philharmonic, with eloquent cello and trumpet solos gracing orchestral interludes and crisp, faultless accompaniments provided for those on stage. In this repertoire Enrique Mazzola has few peers. He coaxes singers through awkward coloratura with a myriad deft tempo variations, fizzes through ensembles with a plethora of perky offbeat accents, and never once loses rapport with pit or stage. A conducting masterclass. Richard Morrison, The Times ****

BEETHOVEN

Mazzola in Paris

Salle Pleyel

At the head of the orchestra - Mazzola delivered all the tenderness and passion required.

Laurent Vilarem
Clearly a great musical and human history has begun between Enrique Mazzola and ONDIF: invaluable training in musical life that cannot be repeated enough. Alain Cochard

Don Pasquale

Theatre des Champs Elysées

"Because under the baton of the very wise, very lively and bright, energetic, but creamy Enrique Mazzola, the Orchestra National de France paid great attention to all the subtleties in the instrumental writing of Donizetti, which was voiced and expressed freely."

AltaMusic, Gerard Mannoni

OAE Debut

Purcell Room

"Cherubini’s Medée is a piece that some of our more enterprising opera companies should think about rediscovering. Enrique Mazzola, an OAE debutant with flair (and a sense of fun), conducted its fizzing overture with verve, and the French mezzo-soprano Stephanie d’Oustrac followed it with a keenly Classical take on this heroine’s Greek tragedy"

Neil Fisher, The Times

Recordings

Don Pasquale

DONIZETTI Don Pasquale

Conductor: Enrique Mazzola
Director: Mariame Clément 
Cast: Alessandro Corbelli, Nikolay Borchev, Alek Shrader, Danielle de Niese, James Platt, Anna-Marie Sullivan

Glyndebourne Festival Opera
The Glyndebourne Chorus
London Philharmonic Orchestra

Opus Arte