Bernard Labadie

Biography

“A fine instinctive musician. He moulds the phrases, plucks out all-important details in the texture and radiates an infectious joy in the music.”
The Telegraph, Les Violons du Roy, Barbican Centre, London
  
Bernard Labadie is widely regarded as one of the world’s leading conductors of the Baroque and Classical repertoire. He is Music Director of Les Violons du Roy and La Chapelle de Québec, founded by him in 1984 and 1985 respectively, with whom he regularly tours Canada, the U.S. and Europe.  They are frequent guests at the major venues and festivals and recent appearances have included the Salzburg Festival, New York’s Carnegie Hall and Lincoln Center, the Walt Disney Concert Hall in Los Angeles, the Kennedy Center in Washington, London’s Barbican Centre and the Concertgebouw in Amsterdam.
  
Since his triumphant debut with the Minnesota Orchestra in 1999, Labadie is also a regular guest with all the major North American orchestras.  He appears frequently with the New York and Los Angeles Philharmonic Orchestras, the Philadelphia Orchestra, the symphony orchestras of Chicago, Boston, San Francisco, St. Louis, Houston, Atlanta, Detroit, Montreal, Toronto and Vancouver, the New World Symphony in Miami, the St. Paul Chamber Orchestra and the Los Angeles Chamber Orchestra. 2010 sees his debut with the Cleveland Orchestra.
  
Elsewhere, his guest appearances have included the Royal Concertgebouw Orchestra, the Royal Scottish National Orchestra, the Northern Sinfonia, the Musikkollegium Winterthur, the NDR Orchestra in Hannover and the Melbourne and Malaysian Symphony Orchestras. His forthcoming engagements include debuts with the Academy of Ancient Music and the Orchestra of the Age of Enlightenment.
  
Equally at home in the opera house Labadie has been Artistic and Music Director of L’Opéra de Québec (1994-2003) and L’Opéra de Montréal (2002-2006). Guest engagements have included ‘Così fan tutte’ at the Mostly Mozart Festival in New York, ‘Orlando’ for Glimmerglass Opera, ‘Lucio Silla’ for the Santa Fe Opera and, most recently, ‘Die Zauberflöte’ for the Metropolitan Opera, New York.
  
His honours include "Officer of the Order of Canada" awarded by the Canadian Government and "Chevalier de l’Ordre National du Québec".
  
For an up-to-date biography, please contact Gavin Bates

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Schedule

Raoul-Jobin Concert Hall, Quebec

Programme

HANDEL Theodora

Karina Gauvin, soprano (Theodora)
Iestyn Davies, countertenor (Didymus)
Marie-Nicole Lemieux, contralto (Irene)
Allan Clayton, tenor (Septimius)
Andrew Foster-Williams, bass-baritone (Valens)
With La Chapelle de Québec

Raoul-Jobin Concert Hall, Quebec

Programme

HANDEL Theodora

Karina Gauvin, soprano (Theodora)
Iestyn Davies, countertenor (Didymus)
Marie-Nicole Lemieux, contralto (Irene)
Allan Clayton, tenor (Septimius)
Andrew Foster-Williams, bass-baritone (Valens)
With La Chapelle de Québec

Raoul-Jobin Concert Hall, Quebec

Programme

HANDEL Theodora

Karina Gauvin, soprano (Theodora)
Iestyn Davies, countertenor (Didymus)
Marie-Nicole Lemieux, contralto (Irene)
Allan Clayton, tenor (Septimius)
Andrew Foster-Williams, bass-baritone (Valens)
With La Chapelle de Québec

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Press

Toronto Symphony Orchestra

Roy Thomson Hall, Toronto

For leadership, the Toronto Symphony called on Quebecer Bernard Labadie, who has become an authority on achieving historically informed performance styles with modern instruments.
The result was period-performance-style clarity, rich texture and rhythmic vitality conveyed with the wider expressive possibilities of modern instruments and bows. John Terauds, Musical Toronto, 24 November 2012

Period-performance renditions of this music, including those by Toronto’s Tafelmusik, are marked by an overall transparency as well as rhythmic vitality — two attributes in abundant display at Roy Thomson Hall.

But that doesn’t begin to do justice to the minute shaping of notes, phrases, entrances and dynamic shifts that Labadie was able to extract from an orchestra that sounded particularly balanced and cohesive.  Labadie suffused the whole with a clear sense of musical purpose, lyrical grace and, when necessary, bursts of belligerent power.

John Terauds, The Star, 25 November 2012

Los Angeles Philharmonic Orchestra

Walt Disney Concert Hall, Los Angeles

Labadie’s “Jupiter” Symphony was bracingly vigorous, with a jaunty swinging feeling in the menuetto.  As always, Labadie managed to get the Philharmonic strings to observe period-performance practices such as using little or no vibrato, yet without sacrificing the lushness of a modern symphony orchestra. Richard S. Ginell, LA Times, 17 December 2011

Chicago Symphony Orchestra

Chicago Symphony Center

One of the salient advantages of the Chicago Symphony Orchestra's so-called split-orchestra weeks is that they bring us Baroque specialists such as Bernard Labadie who know how to infuse the playing of modern instrumentalists with the sound, style and spirit appropriate to that repertory.

This was his third appearance with the CSO since his Symphony Center debut in 2009 and his most successful: The close musical rapport he enjoyed with the players was palpable, and the performances crackled with stylish energy. John von Rhein, Chicago Tribune, 3 November 2011

Orchèstre Philharmonique de Radio France

Cite de la Musique

The real triumph of the evening was the Philharmonique de Radio France.  The prestigious ensemble lived up to its reputation of mastery and elegance.  At the helm, the conductor Bernard Labadie seduced with his good taste: with no excessive lyricism, his perfectly measured tempi allowed for a beautifully expressive musical line throughout. Hermine Ferrand, Classiqueinfo.com, 24 September 2011

Mozart

Die Entführung aus dem Serail

Royal Festival Hall, London

... [a] superb effort by Bernard Labadie and the Orchestra of the Age of Enlightenment. Guided with elegant efficiency by Labadie, the OAE were on strong form Alexandra Coghlan, The Arts Desk, 25 November 2010
This was the French-Canadian conductor’s debut with the OAE, and they gave the score all the fizz you could want. Neil Fisher, The Times, 25 November 2010
Under the baton of Bernard Labadie, the OAE bounds along at a suitably vibrant pace, the precision, detail and subtlety in its sound being matched by an equal measure of flair and exuberance. Sam Smith, Music OMH, November 2010
[His] conducting had real humanitarian warmth and depth Tim Ashley, The Guardian, 26 November 2010

Recordings

MOZART: Requiem

Les Violons du Roy
La Chapelle de Quebec

Karina Gauvin
Marie-Nicole Lemieux
John Tessier
Nathan Berg
Dorian

The Three Baroque Tenors

This recording features six world premier recordings of arias by Caldara, Conti, Gasparini, Handel, Scarlatti and Vivaldi.

Ian Bostridge
The English Concert
EMI Classics